Movie: (1967): The brother and fiancée of a murdered detective infiltrate a drug-running biker gang.
First shown: 12/8/90
Opening: J&tB have colds
Invention exchange: J&tB are feeling better thanks to vapor action, but it may cause flashbacks. The Mads are still enjoying the hobby hogs. Joel’s invention is the sign language translator. The Mads just yell “NOOOO!” for reasons that never become clear.
Host segment 1: Tom’s flashback: J&tB do Shatner with The Crawling Hand (from episode 106)
Host segment 2: Crow’s flashback: Zero gravity humor lesson (from episode 201)
Host segment 3: Joel’s flashback: Gobos lesson (from episode 203)
End: Gypsy attempts a diary entry; Crow and Tom mock her for it at first, but they soon admit they keep diaries too and everybody gets emotional. Joel reads a letter. In Deep 13, the Mads are emotional, too
Stinger: Trumpeter yells something unintelligible.
• I laughed quite a bit this time around, but I found I could only take this episode in short bursts of 10 or 15 minutes. The movie is just so meandering and pointless, and the retread host segments don’t help. The movie is clearly cut from the same cloth as “Girl in Gold Boots” (even “Sidehackers” looks more professional), but the riffing is really pretty good, good enough to save this one from being truly painful. It’s still not a standout episode or anything, but I had fun watching it — a little at a time.
• This episode was released (in DVD) by Rhino as a single episode in 2002.
• Just about every TV show has a cheesy clip episode, and this is MST3K’s. In the ACEG, it is explained that most of the staff was going to be out of town, so the writing time was shortened and this is what they came up with. Mike calls it a “tribute to ‘Family Ties'” (for the younger folks, that was an ’80s TV show that seemed to have a lot of flashback episodes).
• Joel’s jumpsuit is not a never-before-seen pastel green. The goatee is also still there.
• Joel mentions SPACOM, from “Project Moonbase.”
• Joel finally gets to show off his sign language translator, which he wasn’t able to present in the previous episode. The Mads, still enjoying the “hobby hogs” from the previous episode, offer no invention.
• In the bit in Deep 13 before the movie starts, you’ll notice that it cuts off the INSTANT that Frank says: “I don’t fink on soul brutha.” The reason is that Frank could never say that line and look at Trace without cracking up (as seen in the “Poopie” reel). He finally managed to say the line straight and hold his laughter for about half a second, which was enough.
• During the funeral scene at the beginning, two guys are crouching behind a tombstone: a thin guy and a chubbier guy with sunglasses. The chubbier guy is director/screenwriter Robert F. Slatzer. Crow points out that the director is on screen, but when he says it, the other guy is being shown. At first I thought it might have just been bad timing, but later on they identify the other guy again as the director. So it’s officially a goof by BBI. They got the wrong guy.
• Crow and Tom wear their robes in the theater for the entire show.
• Crow and Joel are very snippy toward each other early on in the theater, but then they re-enact a famous exchange from “Then Came Bronson” (which they felt it necessary to have Servo explain) and all is forgiven.
• Great moment when the shot moves to the gangster and his dog sitting in the convertible and all the riffers can do is laugh.
• Some of the music for this movie was arranged and produced by well-regarded producer Richard Podolor (misspelled “Podlor” in the credits) who also produced Three Dog Night, Iron Butterfly and Steppenwolf. (By the way, there was a soundtrack album. Yes, there was.) The act Podolor tried to push in this movie was a group called Davy Jones and the Dolphins. Their career still went nowhere.
• Incidentally, when Crow (wrongly, by the way) suggests that the Davy Jones of Davy Jones and the Dolphins is the same Davy Jones as the guy in The Monkees, Joel says “He would have been about 14 at the time.” Uh, no. This movie was made in ’67, a year after the Monkees TV show started. So, although Joel’s reasoning is wrong, he’s right: this group had nothing to do with The Monkees.
It was a group out of Connecticut founded in 1960 by a guy named David John Liska with his brothers Walt (bass guitar, he left the band in 1962) and Richard (who played steel guitar and keyboard). Also in the band at the time of “Hellcats” were lead guitarist Paul Bogel and drummer Bob Vilezanti (replacing original drummer John Urbanik, who left in 1965).
In 1966 the four-piece band went to L.A. to record the songs for “Hellcats.” They made a USO tour of Vietnam. When they returned to Connecticut they built a recording studio in New London called East Coast Sound Studios (no longer in existence as far as I can tell).
In 1970 the group was signed by Columbia Records, had their name changed to Crossroads and had a moderate hit with a song called “Shannon,” but couldn’t follow up. In 1974, David and Richard formed a bluegrass band called “Kentucky Wind” and toured for a while. In 1981, David moved to Nashville and wrote for various publishing companies. In 1991, David and Richard and their families moved to Nevada and formed a country-western group called “David John and the Comstock Cowboys.” They were regulars at the Famous Bucket of Blood in Virginia City, Nev., but Richard died in 2010 and it’s unclear how busy the band has been since then.
• There’s also music in this movie from a group called Somebody’s Chyldren. The group was founded by David Clark Allen. Also in the band were Paul Dobies, Ricky Cameron, Angela Allen (David’s sister) and Dennis Trerotola. After the band broke up, Allen lived in England, and pioneered what he called “flamenco rock.” He formed one band called Carmen and later formed a band called Widescreen. Last we heard from him, he was back in the U.S. Fronting a band called El Tigre http://www.davidclarkallen.net/#!papa-tigre/c1cod. I was able to email Allen and he told me their music got into the movie because it was promoted by their producer, a guy named Chance Halladay. Halliday had a few singles of his own, but Google is virtually silent, as far as I can tell, about his work as a producer.
• Several times the bots reprise bits of the Weiner Man song. Is this the last time we hear it?
• Callbacks: Several variations on “That was number 5!” (“Sidehackers”). Ross Hagen’s name appears in the credits and there are numerous callbacks to “Sidehackers.” Later, “He hit Big Jake!” (Sidehackers) and “Yew and your daughter are doomt!” (Robot Holocaust)
• Kids, in the host segments, that thing sitting on the desk was known as a “typewriter.” It was a very lo-fi word processor and had a REALLY slow internet connection.
• Servo notes that the flashback he introduces happened “before my voice changed.”
• Note that Crow’s arm works in segment 2.
• Toward the end of the movie, Tom spots a fire hydrant and makes a pass. Joel reins him in.
• Okay I know the plot’s in tatters by the end, but how did the biker gang know to go to the docks and not the bad guy’s office?
• In the closing bit in Deep 13, Frank uses a little AA lingo with the line: “work the steps, Doctor.”
• Cast roundup: Coleman Francis’ drinking buddy Tony Cardoza produced this movie, so lots of Coleman’s regulars are in this thing, along with some “Sidehackers” alumni. Assistant director/screenwriter Tony Houston also worked on “The Sidehackers” and was an actor in “Attack of the the Eye Creatures.”
Production manager Eric Lidberg also worked on (and acted in) “The Sidehackers.” In front of the camera, there’s Ross Hagen, of course. Nick Raymond was also in “The Sinister Urge” and “Red Zone Cuba. Warren Hammack was also in “Sidehackers” and “Attack of the the Eye Creatures.” Eric Tomlin was in “The Skydivers” and “The Beast of Yucca Flats. Gus Trikonis directed “Sidehackers.” Frederic Downs was in “The Skydivers,” “Terror from the Year 5000” and “Red Zone Cuba.” Cardoza, of course, produced all three of Coleman’s movies and performed in “Red Zone Cuba” and “The Skydivers.”
• CreditsWatch: This week’s Creative Pit Boss: Joel Hodgson. “Villians” still mispelled. Additional Music: Michael J. Nelson.
• Favorite riff: “Now Ross can put the star on the tree.” Honorable mention: “They’re all piano tuners.” “I like to shoot heroin straight into my head.” “Looks like she’s into safe walking.”