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Sampo & Erhardt

Sci-Fi Archives

Visit our archives of the MST3K pages previously hosted by the Sci-Fi Channel's SCIFI.COM.

Goodbye Sci-Fi

Mike Nelson, Kevin Murphy and Bill Corbett reflect on MST3K's final broadcast.

Social Media

Weekend Discussion Thread: Whiskey Tango Foxtrot Moments

Alert reader Torque the Dorque opines:

As fans, we love crappy movies. We mostly realize that wrong-way movie making can be spotted due to a variety of reasons; bad acting, script, special effects, directors (I’m looking at you Mr. Corman), editing, bad financing, etc. That’s what makes it so much fun for me. However, there are those WTF moments that leave me confused and want some sort of explanation of what happened.

A perfect example is the movie THE HORROR OF PARTY BEACH. Why was Elaine Gavin’s part dubbed throughout the movie? Why did the “horrors” have a mouth full of hot dogs/pickles?

I am sure others feel the same way. Please add your WTF and/or explanation for these events. Speculating is fine but if you have data that backs up your claim please provide.

Um, the gun sliding down Mitchell’s pant leg. I know this sounds horrible but I think somebody thought it would seem sexy.

Off we go!

Stuff Going On…

Here’s some stuff going on with our favorite people.

Mary Jo (isn’t that an adorable photo of her?) is taking part in something called the “10,000 Laughs Comedy Festival” in the Twin Cities Oct. 19-21. Find out where you can catch her here.

Mike and RiffTrax writer Conor Lastowka have been doing a podcast called “372 Pages We’ll Never Get Back,” which they describe as a “podcast book club” which involves rifffing Ernest Cline’s book “Ready Player One” which, as the podcast’s website says, “they’re pretty sure they’re going to hate.”
It’s on itunes, or wherever you get your podcasts, and at

J Elvis is doing several days at the Acme Comedy Company in Minneapolis. Details here.

Anything else goin’ on?

Now Available from RiffTrax…

Wikipedia says that this film is “notable for being the first live-action film to use the visual effects known as bullet-time.” Which sounds way cooler than it actually is. Get it here.

Episode guide: 901- The Projected Man

Movie: (1966) A scientist builds a teleportation device and tests it on himself. It doesn’t go well.

First shown: 3/14/98
Opening: The SOL exits the wormhole; they’re back orbiting the Earth in the present
Intro: Pearl arrives at Castle Forrester, the Forrester ancestral home; she decides to move in
Host segment 1: Crow and Tom have invented a projecting machine–or have they?
Host segment 2: Mike tries to convince Lembach to stay; Pearl learns more family history
Host segment 3: Crow acquires the Touch of Death, and accidentally kills Mike
End: Tom and Crow vie to get funding from Mike’s new foundation; while in Castle Forrester Pearl rededicates herself to taking over the world
Stinger: Lembach is staying!
1 Star2 Stars3 Stars4 Stars5 Stars (244 votes, average: 3.96 out of 5)

• There are many terrific episodes ahead of us in season nine, but, in my view, this is not one of them. The riffing is steady and most of the riffs make me smile, but there are too few real gut busters. The host segments are clever but not really memorable. And the movie … you know, it may actually be a little TOO good. Plus, there was a terrible technical screwup for the debut. All in all, a less-than-rousing start to the season.
• Paul’s take on this one is here.
• The stretch between the end of season 8 and the beginning of season 9 was 98 days, the shortest amount of time MSTies had to wait between seasons.
• This episode is included on Shout’s Mystery Science Theater 3000 Collection: Vol XXX.
• One reference not in the list: Rosemary Woods.
• During the debut of this episode, as soon as M&tB headed into the theater, viewers could tell something was wrong. Essentially, it sounded like their individual mics were off, and all the riffing was being picked up by one mic that was about 10 feet away. Surprisingly, it took online fans a couple of days of complaining before BBI or Sci-Fi Channel would even acknowledge that there even WAS a problem. Eventually, the problem was fixed, but it would be 4-and-half months before the cleaned-up version made it to air. (Incidentally, somebody in the comments said that he/she recalls that “getting warned a day or so ahead of the premiere that there was an audio issue in the theater” and that it may have come from this site. I don’t have any memory of the former and I very much doubt the latter.)
• This movie is a bit overwrought, and the premise is wacky, but it’s not dreadful. Perhaps the worst aspect, in terms of watching it on a regular TV, was that it was that it was a wide-screen movie, forcing the print to resort to some major “pan and scan” — as Tom mentions at one point. You can tell what you’re in for with the very first frame of the movie when the studio logo is seriously elongated.
• Of course, the most notable plot development of this episode was the arrival of the Castle Forrester premise. I remember thinking on a previous viewing that the bit with organ — in which Pearl sits down to play but can only pound out baseball stadium tunes — went on a bit long. But on this viewing, it seemed okay and pretty funny.
• Callback: “Mitchell!” “And bring some ham” (and several other lines from Devil Doll).
• Turns out St. Blaise really is a patron of the throat, but who knew Mike was Catholic? Or maybe it’s just his relative that is?
• After Mike is killed by Crow’s “touch of death,” the bots drag his lifeless body back into the theater and prop him up for some of the riffing.
• There are not one, not two, but three Pink Floyd references: a mention of “Mister Floyd…”, a little chorus of “Pigs” and an observation that a shot of a factory belonged on a PF album cover.
• A character says “You cahn’t!!” in a very English accent and Tom asks: “What’d she call him?!” Pretty spicy!
• You can clearly see there’s no wine in the bottle during the last host segment.
• As the final segment ends, Pearl firmly re-establishes why she’s sending movies to Mike. I have a suspicion the suits asked for this.
• Cast and crew round up: Surprisingly short, considering how many British movies they did. Sam Kydd was also in “Moon Zero Two.”
• CreditsWatch: Directed by Mike. For many seasons there was a post production “coordinator” but beginning with this ep Brad becomes post production “supervisor.” (I suspect he was the one stonewalling — and eventually taking the blame — for the audio snafu.) The entire season of episodes is produced by Kevin. Jim is executive producer and that’s it.
• Fave riff: “Oh sir! Finally!” Honorable mention: “I declare this movie suddenly great!”

Frank’s New Book Is Out Today

Read all about it.