Short: (1954) An industrial number showcasing the attributes of grocery store refrigeration units, with the help of shapely model.
Movie: (1957) A paranormal researcher claims he has invented a device that will permit communication with the dead. Oh, it’s true.

First shown: 7/30/94
Opening: Gypsy calls a fire drill
Intro: Dr. F. tries pin-point cigarette marketing on Mike
Host segment 1: Crow’s radio talk show: “The Dead Talk Back”
Host segment 2: M&tB are “The Dead”
Host segment 3: Dr. F. tries his hand at interrogation and Frank quickly cracks; meanwhile, the guitar solo continues
End: Crow is still playing, Tom is acting up, Gypsy starts another fire drill, Mike reads a letter, Dr. F. practices his crossbow skills
Stinger: Woman screams after seeing dead body
5 Stars4 Stars3 Stars2 Stars1 Star (257 votes, average: 4.39 out of 5)

• This is a weird episode, featuring an odd short and even odder movie. It’s fun, but not a favorite of mine.
• This episode was included on Rhino’s Vol. 8.
• Though clearly made in the ’50s, the movie was never released until it was discovered and purchased by a low-budget video company in the 1990s.
• I wonder if the fire drill segment led to the later fire safety PSA that they did.
• It’s the “umbilicon” again in this episode.
• The short is a bit of departure. This is what is known as an “industrial,” quite a different animal from the mental hygiene shorts they’d mostly done up until now. I’m not sure it always works for MST3K, as in this case. This may be my least favorite short MST3K ever did.
• Callback: “Plenty of lip and tongue action” (from the speech short). Frank says “I killed that fat barkeep” (The Beatniks)
• Spaghetti ball bumpers: beaker, film canister, book.
• Then-current reference: “James Farentino visits Tina Sinatra.” Farentino was charged with stalking his former girlfriend, Tina Sinatra, in 1993.
• “Oh, its true!” became a frequent callback in many future episodes.
• Segment 1 features the voice of Trace, one of the few times he ever did a “guest spot” on the show.
• Say what you want, Churchill was right about the Bills.
• The Rhino release of this episode had some encoding problems and was reissued.
• I was never much of a deadhead. I liked ’em, but a little guitar jamming goes a long way for me. Gypsy seems pretty natural as one, though.
• The closeup on Crow’s guitar gives us a close look at the stick that controls Gypsy’s jaw.
• Later in segment 2, Mike is folding Crow’s sensible slacks. He really DID get a lot of wear out of them!
• I had a nice Twitter DM back and forth with Andy LaCasse, who performed the “cheesy guitar solo.”
LaCasse said: “The director [that would have been Jim, he directed the host segments for that episode] kept laughing out loud and asking me if I could make it more grating and irritating. I said I could, and I did!”
He also recalls: “I brought my 1-year-old daughter, Kayla, with me to the studio. The writers whisked her away for a while. Later, the video guys [that would have been Brad and Tim] let her play with the controls on the video editing machine. The scene had already been shot, so I followed Crow’s hands as he played.”
On the technical side, he notes: “I played a cheap copy of a Fender Stratocaster with EMG pickups through a Big Jam Spit Wah pedal straight into the MST3K video editor.”
“My daughter had a great time and the writers adored her,” he concluded. “I had a blast! Definitely a career highlight for me. It’s still on my résumé.”
• Crow is still wearing his Grateful Dead costume when he reenters the theater. Mike removes it.
• No cast and crew roundup this week. Similar to “Teenage Strangler,” this appears to have been a cast that largely never did anything else.
• Creditswatch: Host segments directed by Jim Mallon. Sarah Wisner does Post Production Coordination with Ellen McDonough for two episodes, instead of Jann Johnson. This is the last of three episodes where Tim Scott gets an audio mixing credit. This is the first of five episodes where Brad Keely gets a lighting credit. This is the last time we see Director of Operations Jeffrey P. Young in the credits. (He lasted all of three episodes and I would LOVE to heard THAT backstage story.) “Cosmic Freight Train” written and arranged by: Michael J. Nelson, Paul Chaplin and David Sussman.
• Fave riff from the short: “But don’t put your tongue on it!” Honorable mention: “Wow, that was close. She was mad!”
• Fave riff from the movie: “Well! I’m going home for lunch.” Honorable mention: “…than springtime are you, sir.”