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Sampo & Erhardt
Sci-Fi Archives
Visit our archives of the MST3K pages previously hosted by the Sci-Fi Channel's SCIFI.COM.
Movie: (1951) A military/science team searches for a downed rocket atop a remote, dinosaur-infested mountain.
First shown: 11/24/90 Opening: Coach Joel gives the bots a locker room pep talk Invention exchange: The Mads unveil their exercise treadmill equipped with wheels, introduce the movie and give Joel movie sign against his will Host segment 1: Hugh Beaumont, one of the four horsemen of the apocalypse, visits on the Hexfield with a message of unholy death Host segment 2: J&tB’s preachy “The Explorers” sketch bogs down Host segment 3: J&tB see The Cool Thing and announce a contest End: J&tB analyze the movie, Joel reads a letter, Dr. F declares victory Stinger: “Well, thanks for straightening the whole thing out…” (160 votes, average: 4.16 out of 5)
• Rock climbing, everybody. Rock climbing.
• Well this one is definitely a winner. Wacky movie, great riffing, decent host segments and, oh, did I mention…rock climbing? Rock climbing.
• Joel, still sporting a cheesy goatee, is now in a never-before-seen cyan jumpsuit.
This episode appears on Shout’s Mystery Science Theater 3000 Collection: Vol. XVIII.
• A message at the beginning of the Shout DVD apologizes in advance for the tape artifacts in their product. Apparently the official BBI copy was damaged or not stored properly. Upsetting.
• References.
• This is the infamous episode featuring, as previously mentioned, the mind-bloating “rock climbing” sequence. A couple of years after this episode came out, the sequence so moved one usenet fan that he created a “rock climbing FAQ (frequently asked questions) file” that analyzed the “rock climbing” phenomenon within an inch of its life. And, as proof that nothing ever really disappears from internet, here it is.
• During this season, J&tB’s response to the movie was seen in a very black-and-white way–either Dr. F. “won” or Joel and the bots did. They never made this more explicit than in the opening segment here.
• However, Joel makes a little mistake in his pep talk: the episode two weeks ago was “Ring of Terror,” not “Rocket Attack USA.”
• I hope the Mads sued these guys.
• Frank twice addresses mole people, Jerry and Sylvia, who are apparently behind the camera in Deep 13.
• Joel never gets to do an invention exchange, but don’t worry, the one he’s holding, the sign language translator, will be used next week.
• Joel gets Movie Sign “against his will”–He refuses to enter the theater and appears to get an electrical shock to his tush. This is described as a “shock to the shammies” in episode 302- GAMERA, when Joel gets it again.
• Yes, the opening shot is the same shot used in “Rocket Ship XM.” Lippert was nothing if not thrifty.
• Callbacks: “We’re on our way!” (Rocket Ship XM) “Charbroiled hamburger sandwich and french fried potatoes!” (Jungle Goddess) “Thees will seemplify everything!” (Phantom Creeps) “Chili peppers, they burn my gut.” (Sidehackers) “That square bugs me! He really bugs me!” (Wild Rebels)
• That’s Mike, of course, as Hugh Beaumont (“Cryptodad” in the credits) in yet another Hexfield Viewscreen appearance, in segment 1, and he’s very funny, though the writing is excellent as well. This segment is a pretty good example of what is so wonderful about MST3K.
• Servo keeps asking “Ever fly one of these things?” He also said it a few episodes back. Is that from something?
• Obscure KTMA reference I never got before: Joel riffs, “Maybe there was hand soap in the hydraulic fluid.” A reference to a plot contrivance in the movie in episode K13- SST DEATH FLIGHT. Went right over my head in the past.
• Movie observation: Actors do things in movies that real people would never do (unless they are very stupid). A pristine example is the cop in “Plan 9” who scratches his temple with the barrel of his gun. There’s a moment like that in this movie: Would anyone really sit RIGHT on the edge of a cliff, with their legs dangling over the side, like they do in the movie?
• Host segment 2 is probably inspired by the brief “asking for directions from the native” scene in this movie, combined with all the “white male reality” stuff from “Jungle Goddess.” But here’s a question: Is this the first “We’re doing a sketch but it’s not going very well” sketch? They’ll do more sketches like it throughout the series.
• The “cool thing” bit in segment 3 is clearly inspired by the moment in the movie when the characters reach the top of the mountain, and everyone stands amazed at what they see, but they don’t show us for a long time. Some of the entries they got from viewers were shown in episode 213- GODZILLA VS. THE SEA MONSTER.
• Cast and crew roundup: Producer Sigmund Neufeld also produced “The Mad Monster.” Director Sam Newfield also directed “Radar Secret Service, “The Mad Monster” and “I Accuse My Parents.” Cinematographer Jack Greenhalgh also worked on “The Mad Monster and “Robot Monster.” Editor Philip Cahn also worked on “The Brute Man. Special effects guy Augie Lohman also worked on “The Rebel Set.” Special effects guy Ray Mercer also worked on “I Accuse My Parents,” “Radar Secret Service,” “Last of the Wild Horses,” “The Sinister Urge” and “The Beast of Yucca Flats.” Costume guy Alfred Berke also worked on “Last of the Wild Horses. Makeup guy Harry Ross also worked on “The Mad Monster and “Viking Women and the Sea Serpent.” Production manager Bert Sternbach also worked on “The Mad Monster.” Writer Orville H. Hampton also worked on “Rocket Ship XM.” Score composer Paul Dunlap also worked on “The Rebel Set” and “I Was a Teenage Werewolf.” In front of the camera, Whit Bissell was also in “I Was a Teenage Werewolf” and Murray Alper was also in “The Leech Woman.” Hugh Beaumont was in “The Human Duplicators” and “The Mole People.” He was also the narrator of the short “A Date with Your Family.” Sid Melton was also in “Radar Secret Service.” Chick Chandler was in the short “Once Upon a Honeymoon.”
• CreditsWatch: Trace and Frank are still “special guest villians” (misspelled). This week’s creative pit boss: Kevin Murphy. The “Explorers Action Theme” written and performed by Michael J. Nelson. This was intern James Smith’s last episode.
• Favorite riff: “Still talking to crap, monkey boy?” Honorable mention: “I never knew Mountain time was so slow!”
Trace has been roped (literally, as you’ll see in the video) into a new comedy web series called “Vermin,” and the creators are turning to crowdfunding to make it happen. All the info is here.
I was watching The Brain That Wouldn’t Die recently and was thinking about what would have happened had there never been a car crash which removed the unfortunate woman’s head. The movie might have been renamed “The Thing in the Closet” and taken on more of a Frankenstein tone, with Bill and Curt regretting their mistake to create the monstrous creature who eventually escapes and rampages through town. Maybe the plucky Jan, who never ends up in the pan, finds some way to save the day.
What other movies deserve the WHAT IF treatment?
“Bloodlust!” What if the motor on the boat was properly maintained, or somebody on the boat could fix it? I think it might turn into a tense relationship drama, a la “Who’s Afraid of Virginina Woolfe?” in which a terrible secret comes out about Johnny (Robert Reed). I think you know where I’m headed.
MEDFORD, Ore.–Harve Bennett, who produced four “Star Trek” movies and the TV series “Mod Squad,” “The Six Million Dollar Man” and “The Bionic Woman,” died here March 4. He was 84.
MSTies will remember that he was also the executive producer and creator of the TV series “Gemini Man,” seen in episode 814- RIDING WITH DEATH.
Movie: (1967) A down-on-his-luck stock-car racer is recruited as getaway driver for a biker gang planning a robbery spree. He wants nothing to do with it until the cops ask him to go undercover.
First shown: 11/17/90 Opening: Something’s wrong with Gypsy but to find out what it is, Joel must shut down most of the ship’s higher functions of the SOL Invention exchange: Gypsy was just a little depressed but she’s feeling better; the Mads unveil their hobby hogs; Joel shows off his 3-D pizza Host segment 1: Joel explains that most famous intellectuals rode in biker gangs Host segment 2: J&tB do a commercial for Wild Rebels cereal Host segment 3: Joel and Gypsy have a nice little stroll, and he serenades her, a la the movie End: Joel explains how to appreciate a bad movie, then he and bots start to party, much to Dr. F’s astonishment. Joel reads a letter and Dr. F puts a partying Frank down for the night Stinger: None. (168 votes, average: 4.28 out of 5)
• I have to agree with the folks who have been saying, for several weeks, that this is the best of the three biker movie episodes in season 2. This ep is definitely a lot of fun. You’ve got a dumb but watchable movie, good and steady riffing and memorable host segments. All in all, plenty of KICKS!
• Joel, still in a green jumpsuit, is now sporting a cheesy goatee.
• References.
• This episode was included in Rhino’s The Mystery Science Theater 3000 Collection, Vol. 9.
• Tom Servo’s regular head returns. No explanation is given.
• The opening explains Gypsy’s role on the SOL, a bit that came in response to fan questions about her. In the ACEG they sheepishly admit that it was a little uncomfortable that the only female character on the show was distinctly cow-like. By the way, I never noticed before that Joel actually turns a little knob on the back of Gypsy’s head in order to turn off the “higher functions.”
• Trace and Frank are very funny in the invention exchange. Dr. F finally tries to get to the bottom of “eyukaeee,” but nothing doing.
• Joel twice calls the theater the “Mystery Science Theater”–the first and last time he would do that.
• J&tB take note of a really glaring continuity mistake early on, as the guitar is present on the car Rod is trying to sell, and a moment later it isn’t.
• We get Gypsy’s second appearance in the theater (her first was in episode 112- UNTAMED YOUTH) about ten minutes into the movie when somebody mentions “Voyage to the Bottom of Sea.”
• The club where our hero meets the bikers was an actual place, a Dade County dive then called Trader John’s.
• The band playing in the background at the bar are “The Birdwatchers,” a surf-rock band out of Tampa. Drummer Eddie Martinez died in the ’80s. Lead guitarist Joey Murcia’s whereabouts are unknown. As of a few years ago, keyboardist Bobby Puccetti was a party deejay in Florida and bassist Jerry Schills, who founded the group, lived in Dubuque, Iowa, and still played in a band. Lead singer Sammy Hall was a minister until he died in 2013. There’s a really extensive look at their career here. Schills, Hall and Puccetti reunited in 2012 to play a concert called “Geezerpalooza.” I got an email from Schills, who said “I don’t remember much of the movie other than the whole 5 or 10 minutes we had in it took the whole damn day to film. We weren’t the problem, it was just the way they do movies.” Still, he says “It was an unforgettable time of our lives.” I spoke to Hall on the phone for a bit. He also remembered that he was told to be there very early, and he was, but the filming still took all day. He also said he was the only one of the group who was actually called upon to act, “since I had to pretend I was playing the trumpet.” Incidentally, the song they sing, “Can I Do It?”, was never released commercially until a retrospective album came out in 1980.
• The bartender is played by then-Miami radio deejay Milton “Butterball” Smith.
• Callbacks: “The driver is either missing or he’s gone.” “Thees will seemplify everything!” (both The Phantom Creeps)
• Segment 1 is another intensely written but very funny sketch, typical of season 2, including the great line “Everyone thought Joseph Campbell was tough, but that was just a myth.”
• Segment 2 is an instant classic. Great line: “Like getting hit on the back of the head with a surfboard of flavor!” It’s not in the credits, but that’s Alex Carr as the voice of “Mom.”
• Movie observation: No gun dealer, no matter how naive or smitten, would ever load a gun for a customer.
• Instant catchphrase: “That square bugs me!”
• This was an era in the show when any character in any movie saying the words “I will…” was enough to get somebody shouting “I WILL KILL HIM!” as Sting did in the movie “Dune.” They were obsessed with it.
• Joel says “J. Gordon Liddy.” That’s G.
• The driver of the lead cop car in the scene where the cops are pursing the bikers through the swamps is then-Miami radio deejay Dutch Holland.
• Other than in the Marvel universe, I can’t find a Citrusville, Fla. I believe Jupiter, Fla., stood in for it. There is a lighthouse in Jupiter, too, but it’s unclear if that’s the Jupiter lighthouse in the final scenes of the movie. If anybody knows for sure, I’d love to find out.
• Also, the racing scenes were shot at the Palm Beach Fairgrounds Speedway.
• Segment 3 is just so adorable. Great line: “You know, I kinda feel like Mac Davis on ‘The Muppet Show.’ ”
• The closing segment really gives viewers a primer the MST3k way to look at a movie.
• Joel says “…dark, tarry…” Hmm.
• A balloon explodes in mid-letter, the bots react in character and they just keep going.
• For some reason, this episode has no stinger. Maybe they just forgot. Stinger suggestion: “That square bugs me…”
• A record album by Steve Alaimo, “Every Day I Have to Cry,” hung on the wall at the Best Brains studio. That appears to be the one Mike gives Crow in episode 512- SANTA CLAUS. You can briefly see the back and it looks like it’s been matted like something you would hang on the wall.
• Cast and crew roundup: None. Nobody who worked on this worked on any other MSTed movie.
• CreditsWatch: The font size and spacing are back to normal this week. Trace and Frank are, again, “special guest villians” (misspelled). This week’s Creative Pit Boss: Jim Mallon. Jim’s name, and Jann Johnson’s name, appear along with Kevin’s and Alex Carr’s names, in the Post Production Supervision credit, for this episode only. After an episode off last week, Tim Paulson returns as editor and will remain in that job for the rest of the season.
• Fave riff: “Personally, I like guys in clown suits.” Honorable mention: “Here comes the sermon on the Gran Torino.”
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