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Sci-Fi Archives


Visit our archives of the MST3K pages previously hosted by the Sci-Fi Channel's SCIFI.COM.

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Episode guide: 1013- Diabolik

Movie: (1968) Super-thief Diabolik performs several daring heists, then sets his sights on a shipment of gold.

First shown: August 8, 1999
Opening: M&tB discover the SOL employee handbook
Intro: Pearl has a new joystick, which leads to re-entry protocol
Host segment 1: Crow and Mike are packed; while Servo disposes of the many extra hims
Host segment 2: In Castle Forrester, everybody is lining up new gigs
Host segment 3: Crow is worried, so Mike sings a reassuring song
End: After the crash, M&tB settle in to their new home with a familiar pastime
Stinger: “Is that stud coming?”
1 Star2 Stars3 Stars4 Stars5 Stars (283 votes, average: 4.43 out of 5)
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• And so we come to the final Sci-Fi Channel episode, and, of course, this is one where the host segments outweigh the movie. Like all the big premise-changing episodes, the host segments are, once again, a marvel of tight, efficient (and funny!) story telling. As for the movie, it’s sort of “Danger Death Ray”/”Double 007” meets “Batman” and, well, yes, it certainly is pretty to look at.
• Last time I called the riffing “steady and workmanlike,” adding that “there’s little that’s memorable.” I’m going to disagree with myself after this viewing. Maybe it was the mood I was in, but I laughed a LOT this time.
• Mary Jo (with an assist from Bill, Patrick and Paul) offers her thoughts.
References. I noticed a couple they missed: “Okay, I’ll go hang with Nova for a while” is a reference to the fact that the woman looks a bit like the female lead of “Planet of the Apes.” Also “Flaming truck at Brixton, 20 minutes late” is a “Fall & Rise of Reginald Perrin” reference.
• While this episode was being made, Jim Mallon stalked the halls with a video camera, documenting the event. The footage was later released on video as “The Last Dance: Raw.” The last time through, I watched it before actually watching this episode, and it is interesting in a couple of respects. First, if it does nothing else, it captures the tedium of TV production. There is a lot of standing around waiting, and this gives us a real sense of that. Second, it gives a brief shot of where I scrawled on the back of the SOL set. Since that object no longer exists, to my knowledge, it’s nice that there’s a record of it. Finally, yes, the MST3K process has been described many times, but there’s nothing like actually seeing people doing it. So, if you haven’t given it a look, it’s worth one. But I doubt you’ll want to watch it again.
• I think a lot of MSTies agree that this was a strange choice for a final movie. We discussed it here.
• But I do have one question for the movie: What is the point of covering your face with a form-fitting mask that doesn’t disguise you at all? As proof of this, I simply have to note that, despite the face coverings, every cop who encounters Diabolik immediately knows who he is.
• There are many, many naughty riffs during the “rolling around in the bed full of money” scene.
• In one scene, the lovely Eva climbs into Diabolik’s car and as she does so we get a very brief glimpse of VERY high (stocking covered) inner thigh. Crow is the only one who reacts, and he does so only very quietly. I wonder if they just couldn’t decide whether to make a big deal out of it or not.
• I assume Esso (now ExxonMobil) paid for the blatant product placement: It feels very phony. Having the service station attendant ask Eva if she wants a tail (Esso stations sold little plush tiger tails that one was supposed to attach to one’s gas intake pipe so that, when the gas cap was in place, it looked as if there was a “tiger in the tank”), and actually say “Tiger’s in the tank, ma’am,” is a little over the top.
• I really like the little explosion sound effect they use in segment 1 as Tom disposes of the extra Toms. It’s a very satisfying little “boom.”
• Callbacks: “Welcome, Dr, Meecham!” (MST3K: The movie) “Ha-ha! I’m useless against your weapons!” (Prince of Space).
• Mike references the “giant fiberglass muskie in Hayward Wisconsin,” a landmark that is also depicted in the movie “Blood Hook,” directed by Jim Mallon.
• Crow’s concern about “traffic accidents” echoes a similar concern by little Akio in the movie in episode 312- GAMERA VS. GUIRON. I wonder who on the staff made that connection.
• During the song, Mike produces Crow’s “mother” from episode 602- INVASION USA. Wonder how much they had to dig in the prop room for that!
• I just want to note that the song in segment 3 is the second time in the series that a song rhymes “Earth” with “Colin Firth.”
• The final bit in Castle Forrester makes a reference to the “Mary Tyler Moore Show” finale, where the cast similarly huddled together and sang “It’s a Long Way to Tipperary.” Or maybe there’s a law that any TV show connected to the Twin Cities has to end that way.
• That’s the voice of Peter Rudrud as the TV announcer.
• The final bit, in which Mike and Bots settle in and start riffing on “The Crawling Eye,” the movie Joel and the bots riffed in the first national episode, is cute and kind of satisfying. But a lot of fans noticed a little goof: We can’t see the screen, of course, but based on their riffing, it seems that the first thing they see is opening credits. The problem is that “The Crawling Eye” doesn’t start that way. It starts with a cold opening, showing some characters mountain climbing (and then one of the characters is killed). The credits don’t begin until several minutes into the movie. Kind of ruined it for some people. But the bit is such a lovely bit of closure I can’t fault them.
• Cast and crew roundup: Director-scriptwriter Mario Bava was cinematographer for “Hercules” and “Hercules Unchained.” Assistant director Lamberto Bava directed “Devil Fish.” Makeup guy Otello Fava also worked on “Warrior of the Lost World.” Score composer Ennio Morricone also worked on “Operation Double 007.” In front of the camera, Marisa Mell was also in “Secret Agent Super Dragon.” Adolfo Celi was also in “Operation Double 007.” John Phillip Law was also in “Space Mutiny.”
• CreditsWatch: Directed by Kevin. “To Earth” — music by Mike; lyrics by Kevin (so you can blame him for the Colin Firth rhyme).
• Fave riff: “Member FDIC…” Honorable mention: “I’m driving with my whipper.”

Next week we will move on to season 11.

RIP Steven Bochco

Pacific Palisades, Calif–Steven Bochco, a celebrated television writer and producer whose sophisticated prime-time portrayals of gritty courtrooms and police station houses redefined television dramas and pushed the boundaries of onscreen vulgarity and nudity, died here April 1 from complications of cancer. He was 74.

MSTies will remember that he co-created the TV show “The Gemini Man” episodes of which were edited into the movie seen in episode 814- RIDING WITH DEATH.

The New York Times has the story.

Thanks to Timmy and Paul for the almost simultaneous heads-ups.

Weekend Discussion Thread: REALLY Bad Movies

Alert reader Perry writes:

OK, we all love our “bad” movies, from “The Crawling Eye” to “Horrors of Spider Island”, with an occasional “Mighty Jack” or “Diabolic”, or even “Catalina Caper.” But what do readers think is so bad that it just can’t be tolerated? We’re talking modern movies made with a workable budget that are considered acceptable to modern tastes, but cause you, the Satellite News reader, to leave the room?

And don’t just say “chick flicks.” Be specific. Which one?

Me, I’ll sit through “Manos”, but not “Evita.” “Dirty Dancing?” Blech, I’m going to the garage to watch “The Final Sacrifice.”

I’m with you on “Dirty Dancing.”

Have at it!

Episode guide: 1012- Squirm (with short: ‘A Case of Spring Fever’)

1012s.jpg

Short: (1940) In a moment of weakness, a frustrated guy wishes springs never existed … a wish he soon regrets.
Movie: (1976) Electrically supercharged worms attack the residents of a remote Georgia town.

First shown: 8/1/99
Opening: The SOL’s annual safety check reveals a surprising lack of same
Intro: Pearl is throwing a Castle Forrester Fair, and Tom and Crow’s livestock entry surprises Mike
Host segment 1: Crow rashly wishes that Mike didn’t exist and, sure enough, Mikey the sprite appears to grant his wish and enforce Crow and Tom’s somewhat reluctant repentance
Host segment 2: Tom comes down with severe southern belleness
Host segment 3: Mike’s plan to create mutant killer worms instead results in a tasty snack
End: Crow takes a fall from his reeeally high platform shoes; Pearl forces Brain Guy demonstrate the fair’s bungee jump attraction, which has some flaws
Stinger: “You gon’ be da worm face!”
1 Star2 Stars3 Stars4 Stars5 Stars (297 votes, average: 4.42 out of 5)
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• Well, this one is a lot of fun. The short, of course, is golden, just exactly what MST3K is all about. The short itself is great goofy fun and the riffing is top-notch. The movie keeps the momentum going with a watchable and actually kind of creepy little story, with plenty of flaws for the guys to pick at (bad acting, nerdy unlikeable hero; unsympathetic victims, etc., etc.). The host segments also keep things going, and if they’re not hilarious, they at least don’t outstay their welcome.
• Bill’s thoughts are here.
• This episode is included in Shout’s “MST3K: Volume XXXI.”
References.
• Where did they get that standee of Ben Murphy? Bet a fan sent it.
• In his comments, Bill confirmed what many people suspected: that this short had been kicking around BBI for years and was in fact the inspiration for the “Willie the Waffle” sketch way back in episode 317- VIKING WOMEN VS. THE SEA SERPENT.
• Fave riff in the short: “Guns, huh?”
• Many years ago, I mailed a copy of this short to the Springs Manufacturing Association in hopes they would reply with something funny to say about it, or might even know the history or background of the short. I never heard back.
• Callbacks: “Jeeeeeeed!” (The Leech Woman) “The monster called Gamera is destroying the city.”
• Naughty riff: “Mother! That’s private!” Also: “See? It’s not true that I can’t get wood.”
• That’s Patrick as Mikey and Mike’s Socksey.
• One of the things I noticed this time was the proliferation of Klan jokes. A few are appropriate but I think they may have overdone it.
• Obscure: “…letters from Der Weisse Engel…”
• In segment 3, when Mike says he’s “gotta make a rice a verms” he’s mocking the famous Bela Lugosi line from “Bride of the Monster” in which he talks about a “rice a pipple.”
• Also in that segment, notice that somebody was making the little worm wiggle.
• In a discussion of the worst cops, many folks singled out the icky sheriff as the worst or one of the worst. Boy howdy were they right. Wow, what a jerk.
• “Hank Hill’s friend” has a name. It’s Boomhauer. Did they not know or were they afraid people wouldn’t recognize it?
• Yet another credit bit: This time it’s earnestly answering the questions asked in the song.
• Cast and crew roundup: Special effects makeup guy Rick Baker also worked on “The Incredible Melting Man” and “Track of the Moon Beast.” That’s it.
• CreditsWatch: Directed by Kevin. For some reason Jeff Stonehouse was unavailable and someone named Kevin Galligan was the DP for this episode. Similarly, John Sims was not available and somebody named Clayton Hughes was the boom operator. Ed Dykhuizen and Sarah Lemanczyk were back as interns.
• Fave riff: “Lowly Worm’s worst day ever.” Honorable mention: “Kevin McHale, cross-dresser.”

RiffTrax Presents a New Short from Bridget and Mary Jo

Get it here.