Movie: (1964) Teeners in a beach community are oblivious when dumped radioactive waste creates a batch of monsters.

First shown: 9/6/97
Opening: Tom harmonizes his overtones with the fundamental
Intro: Servo’s “fundamental” turns out to be pre-recorded; meanwhile “Apearlo” and “Brainguyus” settle in with a delighted Callipygeas and suspicious Flavia
Host segment 1:The manly beach dance is postponed because Mike’s trunks are a bit small
Host segment 2: Apearlo & Brainguyus’ jam becomes a beef commercial
Host segment 3:Tom’s a newsy with very up-to-date news
End: M&TB sing “Sodium;” meanwhile as Callipygeas and Brainguyus bond, Apearlo and Flavia trade…er…pleasantries
Stinger: A less-than-manly beach dance
(277 votes, average: 4.71 out of 5)
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• I was generally a fan of the “chase through time and space” thing in season eight, and I contend that more host segments worked than didn’t. But when it comes to the “Roman times,” story arc we’re now into, well, for me, not so much. Everybody tries real hard, and I bet it seemed funny in the writing room, but many of the Roman Times host segments just don’t come up to the level I expect from this show. Call it the exception that proves the generally witty and hilarious rule. Fortunately it only lasted a few episodes, and fortunately for this episode, the goofy movie, and the terrific riffing of it, more than make up for any shortcomings elsewhere.
• Paul’s take is here.
• This episode was included in Shout’s Mystery Science Theater 3000: Volume XXXVII
• References.
• Crow is referred to as a “golden spider duck”—that sounds like something that was in a fan letter, though I don’t think they ever said that.
• One reference the reference guide doesn’t note: Observer mentions “Bitter Dregs,” during segment 2. He’s referring to tune sung in the Star Trek episode “Plato’s Stepchildren.” Watch it here.
• During that bit, they eventually begin playing Aaron Copeland’s “Rodeo,” and Kevin yells “Beef!” That’s a reference to the now-largely-forgotten “Beef. It’s What’s for Dinner” commercial campaign that featured that Copeland piece.
• By the way, the music is actually being played by Lisa Fuglie (of the group Monroe Crossing) and Karen Mueller.
• Movie comments: Did the makers of this movie really think the monsters would look scary? Really? Also: The voice of our heroine Elaine is dubbed. But I’ve never heard an explanation as to why.
• When this movie was in theaters, movie-goers had to sign a “fright release” before they entered the theater.
• I hadn’t seen this one for a while, and I’d forgotten Eulabelle. Wow. Were these kinds of characters really still acceptable in 1964?
• The movie was filmed in the Stamford, Conn. area, (although it has some very nice shots of 1964-era Manhattan, when our hero makes his Sodium run).
• According to this bio, the Del-Aires broke up not long after shooting this movie.
• This movie “was billed as ‘the first horror musical,’ but we MSTies know better. The similarly-hyped 812-THE INCREDIBLY STRANGE CREATURES WHO STOPPED LIVING AND BECAME MIXED-UP ZOMBIES was released the year before.”
• The great “Sodium” song has one extra joke connected with it—check out the credits where the song’s “lyric” is credited.
• No cast and crew roundup: Nobody involved in this movie worked on any other MST3K movie.
• CreditsWatch: Produced by Jim, directed by Kevin. With this episode Patrick is added to the “Set Design” credit and he will be there for the rest of the run of the series. A Jennifer Turner helped Andrea with hair and makeup. Intern Joseph Olson finished up a four-episode stint. This is the last episode that “The authors of the First Amendment” would be thanked at the end of the credits.
• Fave line: “Look Polish, everyone!” Honorable mention: “Do farts have lumps?” “I had a generally positive impression of white people before this movie.”

Movie: (1956) When the chickeney Phantom of Krankor attacks Japan, a slim-hipped hero arrives to save the day.

First shown: 8/16/97
Opening: Crow and Tom’s “Dog and Bear” game gets out of hand
Intro: Bobo, then the Widowmaker, then the SOL are dragged into a wormhole
Host segment 1: M&tB are unstuck in time
Host segment 2: Mike is transformed into a small robot
Host segment 3: The wormhole deposits M&tB in a rather lovely sylvan glen
End: All seems normal again on the SOL (except for the presense of Krankor), but Pearl and Observer have arrived on Earth in Roman times!
Stinger: The Phantom says: “Hah! Hah! Hah! Hah! Hah! Hah! Hah!”
(339 votes, average: 4.76 out of 5)
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• Bridget’s take on this episode is here.
• Of course, with this episode, into the wormhole we go. And while the “Roman times” story arc is, in my view, a mixed bag at best (more on that in the next installment), this episode, which takes place in the wormhole itself, is one of the best of season 8. The movie is profoundly stupid and feels very season-three-ish, the riffing is excellent and the host segments are clever and fun.
• This episode was included in Rhino’s The Mystery Science Theater 3000 Collection, Vol. 7.
• References.
• Is that “dog and bear” dialog from something? (A commenter suggested it was inspired by Jack London’s “Call of the Wild.”)
• “I like it very much!” became an immediate catchphrase and soon appeared on an MST3k bumper sticker.
• Some fans got a bit fed up with all the Japan bashing in this episode, and while I don’t agree that it was as bad as they made out, I WILL acknowledge that this show has FOUR “cram school” jokes.
• Did you enjoy the “Hardrock and Coco and Joe,” reference. Watch the whole thing here.
• Also: When there is a high-pitched, evil laugh, Crow intones “Rrrrraceway Park!” that’s a reference to radio commercials for this drag racing venue, (which is still in operation at this writing). I assume that riff came from Bill, who at this point replaced Frank as the source of East Coast references.
• Kudos to the Brains on getting the complicated time lag sketch right! That must have been tough to write! After the sketch, Mike and Tom are already in the theater and Crow, still lagging, joins them.
• Robot Mike does a theater segment. I like a nice detail on the Mike puppet in theater — he has a headset!
• Very typical of this show, when Mike returns as himself, he simply announces that he “got better.” Nuff said!
• Callback from the old days: a Gamera reference!
• Note that the door sequence leading to the “sylvan glen” segment ends with a real bone slamming over a wooden door. The segment is a little startling: It reminds you how studio-bound the show was. I don’t remember where I saw this, it may have been one of the Scifi.com IRC chats, but at some point one of the Brains said that the sylvan glen was only a short walk from the studio. I believe that. The area around the studio was definitely a mix of office park and what I presume was as-yet-undeveloped former farm land.
• That’s Bill as Krankor, or course.
• Cast and crew roundup: The producer of the American version, Walter H. Manley, did likewise for “The Green Slime.” Screen writer Shin Morita also wrote — dull surprise — “Invasion of the Neptune Men.”
• Creditwatch. That’s Kevin, of course, as Callipygeas (which roughly means “fat ass”) and Bridget as Favia. Kevin produced and directed. Andrea Ducane did hair and makeup for every season 8 episode except this one, when one Sharon Davis filled in. Mike Parker is back as grip (after two episodes off) and will be for the rest of the season. John Simms, who had an “SFX/foley” credit for six episodes earlier in the season, reappears as “boom operator,” which will continue for the rest of the season.
• Fave riff: “Oh, fer cryin’ out loud … EACH OF YOU…” Honorable mention: “Oh the inanity! Oh the Japanity!” “o/` Isn’t she lovely… o/`”