Movie: (1979) At a remote facility, clones are being bred to serve as a source of replacement organs for the wealthy and powerful.

First shown: 6/7/97
Opening: Mike has a mustache and the bots like it — sort of
Intro: Three runaway space children awaken the campers
Host segment 1: The campers are forced to play games with the kids
Host segment 2: M&tB help Pearl out by putting on a public TV show
Host segment 3: Pearl, Bobo and Observer have “that” talk with the kids
End: Crow has a nosejob, and Tom has written a poem for the kids
Stinger: “Sure!”
(274 votes, average: 4.53 out of 5)
Loading...

• This is a (comparatively) thought-provoking idea for a movie, even if it is hamfistedly written, acted and directed. Still, it’s in color, it’s in focus, and its budget was (compared to most other MSTed movies) pretty big, so it’s pretty easy to look at, which helps make it a very watchable episode. The riffing starts slowly, but builds, and by the time of the campfire love scene, they are really clicking. The segments —- featuring a new, brief, story arc with the temperamental and omnipotent space children —- are fun. Not sensational, but there are definitely some laughs there.
• Paul’s take on the episode is here.
• Rhino included this episode in its The Mystery Science Theater 3000 Collection, Vol. 12.
• References.
• In 2005, when DreamWorks released “The Island,” also about a colony that breeds clones to harvest organs for the elite, the makers of “clonus” filed suit, claiming copyright infringement. DreamWorks settled out of court.
• As you enjoy Peter Graves’ performance, remember that he HATED MST3K.
• Just to make a fool of me, the guys completely disregard what I’ve said in the past about them usually showing restraint when a popular TV actor shows up. The presence of Dick Sergeant prompts quite a large number (this time I counted about 10) of “Bewitched” jokes and references. There are plenty of “Biography” references as well.
• I enjoyed Mike’s use of the famous Belloq taunt from “Raiders of the Lost Ark.” I’ve used it myself a time or two since this episode aired. It does have a certain insouciance.
• Daleism: Shot of man’s hand on podium. Servo: “Hey it’s…oh, I thought it was Dale.”
• For those of you playing along at home, this movie was shot a year after Keenan Wynn did “Laserblast,” so pretty much the same Keenan-ey era.
• Speaking of Keenan, I always feel sorry for the Nobels. This complete stranger shows up on their doorstep and they pretty much do the right thing right down the line, and they get blown up as a reward. Sheesh.
• Nice use of Dorf-style camera trickery during the segments. It works especially well on Paul, for some reason. Mike and Bridget are the other two children, of course.
• As Dr. F learned when he asked M&tB for help with his bed and breakfast, NEVER ask M&tB for help! Pearl learns this in segment 2.
• They would actually do a movie called “The Space Children” next season, but I don’t think they are really making a direct reference to that movie here.
• There’s a residual Adam Duritz riff.
• Best host segment line: “Tanta Bobo has to go see Uncle Reconstructive Urologist.”
• Mary Jo is hilarious in the “facts of life” segment.
• Then-current reference: Tom’s cry of “50 free hours of AOL???” Which was an offer Americans were getting at every turn.
• Cast and crew roundup: special effects guy Steve Karkus also worked on “The Touch of Satan” as did makeup guy Joe Blasco (he also did special effects for “Track of the Moon Beast.”)
In front of the camera, Peter Graves, of course, was in “It Conquered the World,” “Beginning of the End,” “SST: Death Flight” and was a narrator for “Attack of the the Eye Creatures. Keenan Wynn, as noted, was also in “Laserblast.” Lurene Tuttle was also in “Untamed Youth.” Greg Brickman did some stunts in “Hangar 18.”
• CreditsWatch: Beginning with this episode, Jim gets an “executive producer” credit that continues through the end of season 10. Kevin gets the first of several “produced and directed by” credits this season. This is the last week Brad Keeley gets an “audio mix” credit. And this is the last week John Sims gets a “SFX/foley” credit (but he’ll be back).
• Fave riff: “She really WAS on top of old smokey, wasn’t she?” Honorable mention: “Just making sure he hates this…”