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Sampo & Erhardt
Sci-Fi Archives
Visit our archives of the MST3K pages previously hosted by the Sci-Fi Channel's SCIFI.COM.
Movie: (1957) An unethical doctor turns a short-tempered teen into a monster.
First shown: 4/19/97 Opening: Mike is to be removed as captain Intro: While camping, Pearl lowers the SOL’s shields, and Tom meets a face-hugging alien Host segment 1: Crow’s proximity detector malfunctions Host segment 2: Servo goes after the alien Host segment 3: It’s alien egg omelets for everyone, but Crow is a critic End: The alien is draining the SOL’s energy and Mike is forced to become really repulsive. And at camp, Pearl tells some scary stories Stinger: “People bug me, too!” (219 votes, average: 4.32 out of 5)
• Get Mary Jo’s take on this episode here.
• References.
• This episode has not been released on DVD.
• This one is just irresistible. The riffing is great, the movie is an iconic bad movie with a great bad movie cast, the segments are some of the best “parodying the classic sci-fi conventions” stuff they did and the ending is a classic.
• This episode debuted just as the movie “Volcano” was gearing up to hit movie theaters, and after the opening segment, Sci-Fi ran a short bumper with the “Volcano” logo super-imposed over the door sequence. Which means somebody actually thought this movie would appeal to MST3K viewers specifically…
• Not-so-much-annoying-as-amusing commercial: A Radio Shack ad that takes credit for helping people “understand cellular phones.” What was to understand?
• In this, the first full episode with the new evil trio, Pearl clearly prefers Observer to Bobo. It’s a dynamic that doesn’t last very long.
• Tom is still wearing the alien facehugger when he comes into the theater for the first movie segment.
• During segment 1, Crow accidentally bumps the “Mousetrap” game Mike and Tom were playing and sets some of it in motion. Kevin and Mike just roll with it, so to speak.
• Movie observation: That song is weird. What is with the tempo of the lyrics??
• In segment 2 we get another recall of the “Tom did some stuff while on his own in the universe…” backstory, but I think maybe this is one of the last.
• Daleism: [As Michael Landon looks at his hand] Mike: “I thought I was Dale!”
• Then-current reference: The first of several episodes to make reference to Richard Jewel. Now largely forgotten.
• This is the third straight movie featuring psychological regression!
• That’s Beez in a now-rare appearance as Magic Voice.
• Most of the time, when an actor or actress from a popular TV show appears in a movie, they purposely limit themselves to only one or two jokes about it. They did that here with Guy Williams of “Lost in Space” present: they limited themselves to “You’re worse than Dr. Smith!”
• Malcom Atterbury plays almost the EXACT same suicidal dad character he played in “High School Big Shot”!
• Tom enters the theater from the left after segment 2.
• In the ending segment, Tom uses the phrase “sour its milk,” a direct reference to a Star Trek: TNG plot line.
• Once again in a moment of extreme stress, Mike’s preternatural ability to transform himself comes in handy. I gotta say I did NOT see the Adam Duritz slam coming. I consider myself a Counting Crows fan, but Mike was hilarious. Does anybody know if Adam ever commented on it?
• The camping planet story arc — such as it is — begins with this episode, and the stingers thankfully returned.
• Cast and crew roundup: I will not go through the Arkoff/Nicholson litany again. Director Gene Fowler Jr. also worked on “The Rebel Set.” Assistant director/production manager Jack R. Berne also worked on “The Amazing Colossal Man.” Costume guy Oscar Rodriguez also worked on “The Magic Sword” and “Phantom Planet.” Set designer Morris Hoffman also worked on “War of the Colossal Beast.” Score composer Paul Dunlap also worked on “The Rebel Set” and “Lost Continent.”
In front of the camera, Yvonne Lime also appeared in “Untamed Youth.” Whit Bissell also appeared in “Lost Continent. Malcolm Atterbury also appeared in “High School Big Shot.”
• CreditsWatch: Jim gets a producer credit only. Kevin gets a director credit and is also listed as associate producer. Interns Elliot Cobb and Mytch Parks finish up their final stints as interns.
• Fave line: “Um, mistakes were made?” Honorable mention: “Boy, does he ever!” “Sir, I gotta get back and transfer Oswald.”
Movie: (1956) A carnival mesmerist uses hypnosis on a woman to summon the spirit of a murderous female sea creature. A drab guy tries to stop him.
First shown: 4/5/97 Opening: Crow and Tom confuse similar sounding household products Intro: The Observers prepare to dissect Bobo, Pearl begs for a distraction, Mike asks the nanites for help and they provide a Number 7 Host segment 1: Crow presents the “Tickle Me Carlo Lombardi” doll Host segment 2: Pearl and Bobo have a stowaway Host segment 3: Mike demonstrates the non-acting method of Lance Fuller End: Questions about the movie, and M&tB find out they are being held in place by Observer’s mind Stinger: Bobo investigates a planet…closely (215 votes, average: 4.03 out of 5)
• Mike’s take on the episode is here.
• This episode was included in Shout’s “MST3K: Volume XXXIV.”
• This one, despite being deep in the season-eight string of black-and-white B potboilers, tickles me in a weird way, kind of like what one might do to a Tickle Me Carlo Lombardi doll (ew!). While Lance Fuller drags down every scene he’s in, it’s balanced out by the weird vehemence of Chester Morris. The host segments are nearly all great, and the riffing was steady and reliable. Plenty of fun.
• This is the final episode in the Observer story arc and the last one with no stinger.
• Mike blows up a SECOND planet and Pearl gets a second sidekick, creating an terrific three-way personality dynamic that carries the series forward.
• Callbacks: “Guard! Sick man!” (Red Zone Cuba); and the ever-popular “Sleeeeep!”
• Like “The Undead,” this movie tried to cash in on the craze about regression to past lives via hypnosis, as popularized by the book (and movie) “The Search for Bridey Murphy.”
• The term “squarehead” was new to me when I saw this. They seem to be using it refer to Scandinavians, but apparently it’s more popularly used to refer to Germans.
• Daleism: [Lombardi is hypnotizing the recumbent Andrea, waving his hand in her face.] Mike: Do you think I’m Dale?
• That’s Kevin as the voice of the Carlo Lombardi doll.
• Obscure riff: “(flatly) Hello Max.” A reference to Hymie the robot on the TV series “Get Smart.”
• The MSTie classic “Does this bug you?” makes a return. As does another MSTie classic: “Sessions presents!”
• The end of the ep brings the show to what later was called “The camping planet” by BBI, though it was never referred to like that on the show.
• Mary Jo calls M&tB “schmucks” and got bleeped by a nervous channel. Fans were a bit upset about it at the time, but BBI seemed only to find it funny (or so they let on to fans).
• Suggestions for a stinger?
• Cast and crew roundup: I won’t go through the Arkoff/Nicholson again. Producer Alex Gordon wrote the story for “Bride of the Monster.” Screenwriter Lou Rusoff also wrote “It Conquered the World.” Cinematographer Frederick West also worked on “It Conquered the World,” “Swamp Diamonds” and “Gunslinger” (was she a pal of Beverly’s?). Editor Ronald Sinclair also worked on “The Amazing Colossal Man,” “Earth Vs. the Spider,” “Viking Women and the Sea Serpent,” “War of the Colossal Beast” and “Swamp Diamonds. Special effects guy Paul Blaisdell also worked on “The Amazing Colossal Man,” “It Conquered the World,” “Earth Vs. the Spider” and “Teenage Caveman.” Costumer Marjorie Corso also worked on “Earth Vs. the Spider,” “Teenage Caveman,” “Tormented” and “Bloodlust!” Makeup guy also worked “Bloodlust!” Supervisor/assistant director Bartlett Carre was production manager for “Swamp Diamonds.” Set designer Harry Reif also worked in “Women of the Prehistoric Planet,” “I Accuse My Parents,” “Radar Secret Service” and was assistant director for “Gunslinger.” Prop master Karl Brainard also worked on “Earth Vs. the Spider,” “Teenage Caveman,” “Night of the Blood Beast” and “The Undead.” Sound guy Ben Winkler also worked on “War of the Colossal Beast.” Score composer Ronald Stein also worked on “It Conquered the World,” “Gunslinger” “The Undead,” “The Girl in Lovers Lane” and “Attack of the the Eye Creatures.”
In front of the camera, Tom Conway was in “12 to the Moon.” Cathy Downs was in “The Amazing Colossal Man.” Lance Fuller was in “This Island Earth.” Frank Jenks was in “The Amazing Colossal Man.” William Hudson was in “The Amazing Colossal Man.” Jack Mulhall was also in “Undersea Kingdom.” Edward Earle was in “I Accuse My Parents.” Luana Walters was in “The Corpse Vanishes.” Paul Blaisdell was in “It Conquered the World” and “The Undead.”
• CreditsWatch: Jim gets the “produced & directed by” credit and Kevin gets the “associate producer” credit. After two episodes off, interns Elliot Cobb and Mytch Parks return for the first of two more eps.
• Fave riff: “Big Balinese wheel money!” Honorable mention: “He’s got a list of his facial expressions taped to her back” and “I can’t help but feel that was directed at me.”
Shout! Factory TV’s official Twitch channel will be holding a 6-day marathon of 38 classic MST3K episodes beginning June 26th at 11 a.m. PT. Here’s the official announcement:
Movie: (1958) A scientist builds a time machine, allowing a scary woman from the future to appear.
First shown: 3/15/97 Opening: Tom “comfort rates” everything Intro: The Observers make Pearl and Bobo fight, but the M&TB aren’t getting the message Host segment 1: The Observers offer their superior food Host segment 2: Mike sends Crow back in time, but soon regrets it Host segment 3: The Observers croon “When I Held Your Brain in My Arms” End: Mike sets Crow up with a blind date from the year 5000, while Pearl declares her humanity Stinger: Observers (231 votes, average: 4.23 out of 5)
• Get Kevin’s take here.
• This ranks up there as one of the most incompetent movies they’ve ever done and, as you know, that’s saying something. An amateur cast playing unlikeable characters, a glacial pace to a plot that makes zero sense. Laughable special effects and a story with no payoff. Bleah. The segments are all pretty good, especially the song, but I think the riffing is a bit sub-par this time. There are still plenty of great riffs, but they seem a little thinner than usual. All in all a fair-to-good outing.
• This episode has not yet been released on DVD.
• This was the seventh new show in seven weeks. I remember the incredible feeling of being overwhelmed with new MST3K episodes with barely enough time to assimilate it all (a little like getting 14 new episodes at once). I was almost happy to have the two-week break that followed this show, just so I could catch my breath (figuratively speaking).
• Daleism: As the nurse/alien takes off her gloves, moist guy says “Your hands!” and of course the riff is: “I thought you were Dale!”
• For those who want a full list of the colors of Mike, Ward E has it.
• Mike once again channels “The Frugal Gourmet” Jeff Smith. Last time was in episode 608- CODE NAME: DIAMOND HEAD.
• Then-current riff: “I’m Jaye Davidson.” Davidson was still being talked about for his performance in “The Crying Game” five years earlier. “Suddenly Susan” then a popular sitcom starring Brooke Shields.
• Obscure references: The short-lived 1995 series “The Single Guy,” Mrs. Pynchon, a character in the TV series “Lou Grant.” Also: Servo sings the jingle for the long-defunct Northwest Orient airlines. Also: Nice obscure Beatles reference: “He’s a clean old man.” Classical music fans probably enjoyed the reference to the Brodski Quartet, a British classical string ensemble.
• Several Jimmy Carter references in this one, since the handyman vaguely resembles him. Of course, Carter’s administration was decades ago now. To a lot of this show’s young fans, they may as well be making Chester A. Arthur references.
• Kevin breaks out his great Flash Bazbo impression. The character was a creation of Chris Guest back when he was making records (and I do mean records, not CDs) for National Lampoon. “Hellooo?…Hellooo?”
• That’s Beez as the sparkly “Terror.” Not sure how I feel about uglying her up (if such a thing is even possible).
• “When I Held Your Brain in My Arms” was an immediate hit and the channel was nice enough to put the entire song on their web site. It was the first song since Trace bid farewell to Frank, and it really brightens up an otherwise rugged episode. Note that Mike lip synchs to Kevin’s vocals but Bill lip synchs himself.
• Annoying commercial: The special message from America Online boss Steve Case. To refresh your memory, AOL went to a flat-rate, unlimited-use pricing structure and, naturally, usage skyrocketed. Problem was: AOL’s system wasn’t ready to handle the jump in usage. For a couple of months, connecting (for you kids, we used to have to connect to the internet via telephone lines … and we liked it that way! We liked it just fine! Now get off my lawn!) was hit-and-miss at best and busy signals were the order of the day. Anyway, in this commercial Case strolls through what is ostensibly an AOL customer service call center and apologizes for failing to remember the first day of Business 101, when they explained that when you cut the price of something, there’s more demand for it.
• This is another movie in which all the sets seem to have filth covering the walls. Weird.
• For non-Trekkies, Pearl’s little speech about the nature of humanity is the sort of thing Captain Kirk would spout about once every third or fourth episode, usually after refusing to take part in some staged fight.
• The Observers steal the stinger again. What would you have picked? I think I would have gone with a shot of Angelo enjoying his magazines in his shack.
• Cast and crew roundup: No need to go through the Arkoff/Nicholson litany again. Producer/director/scriptwriter Robert J. Gurney Jr. (the guy you can blame for this mess) also wrote the script (i.e. ripped off somebody else’s script) for “Attack of the the Eye Creatures.” Production coordinator Mark Hanna also worked on “Gunslinger” and “The Undead” and wrote the script for “The Amazing Colossal Man.” In front of the camera, Ward Costello was also in “Code Name: Diamond Head.” Frederic Downs was also in “The Hellcats,” “The Skydivers” and “Red Zone Cuba.”
• CreditsWatch: Jim gets the produced and directed by credit. Kevin is associate producer. As noted last time, Lane Stiller and Steve Zocklein were interns for only two episodes, the last one and this one.
• Fave riff: Of all the plot holes to fill, they choose the scuba gear plot hole!” Honorable mention: “Do you have cartoon music playing in your head, too?” and “They are implying: POOM!”
An open thread for reports on tonight’s RiffTrax Live.
For me, the good news was that the show was consistently hilarious, one of their best.
The bad news was that the crowd in my theater in the suburbs of Scranton, was pretty paltry, maybe 50 souls. But they seemed to be enjoying it.
So, stop that rhythmic ball handling and give your report!
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