Short: (1956) Surrealistic fantasy trip to the future, which includes a visit to the General Motors “motorama.”
Movie: (1960) A multinational team of astronauts embarks on a moon mission.

First shown: 2/5/94
Opening: While Crow & Tom play tennis, Gypsy has trapped Mike at a tea party
Intro: While Frank roasts Dr. F., Tom has a tennis tantrum
Host segment 1: Nuveena, lady of the future, pops into the SOL and invites M&tB to come back with her
Host segment 2: M&tB prepare to leave with Nuveena
Host segment 3: Nuveena makes the bots into appliances, Mike disapproves, so she pops out
End: Letters, Nuveena pops into and out of Deep 13
Stinger: “Ahh, ridiculous!”
5 Stars4 Stars3 Stars2 Stars1 Star (176 votes, average: 4.53 out of 5)

• For some, I suspect this is another case where the short kind of takes over the episode. “Design for Dreaming” has become an iconic bit of off-kilter fun, and since it’s in public domain, you see snippets of it all the time. The riffing of it is nothing short of brilliant. In contrast, the feature is in black and white, and has some pretty static stretches. But, me, I love these old rocketship movies (they are my favorite kind of MST3k fodder, with the giant bug movies coming in a close second) and this one’s a hoot. It’s reminiscent, in some respects, of “FIRST SPACESHIP ON VENUS,” what with the conscientiously international crew and all. And the characters and situations are so strange, there’s plenty for the riffers to work with, and they do a great job. And, of course, there’s the Nuveena story arc in the host segments.
• This episode is included in Shout! Factory’s Mystery Science Theater 3000 Collection: Vol. XXXV.
• I’d completely forgotten about the “invisible” face shields on the astronauts helmets! A brilliant, albeit cheesy, solution to the problem of not being able to see or hear an actor in a space helmet.
• Everybody knows the bots arms don’t work, but that doesn’t stop the Brains from suggesting that the bots play tennis. In the “then-current” reference department, the sketches refer to a couple of pro tennis incidents that I suspect are largely forgotten by most people (i.e. non-tennis fans.)
• I love Dr. F’s Milton Berle-esque giant cigar during the celebrity roast. The premise of the sketch itself (speaker at roast just viciously attacks the honoree without any semblance of the warmth and humor that is supposed to be part of the format) has been done before, but Frank carries it off well, as always.
• What does “Just call me Bobo” mean? (Update: A commenter says it’s a reference to the movie “The Grifters.”)
• Callbacks: “It’s a salute to Mr. B Natural!” “It’s a sampo!” (Day the Earth Froze).
• Non-spaghetti ball bumpers: Shot of blackboard–a stuffed animal that might be Grover from “Sesame Street” hits it; pan to beaker.
• Tom Servo says “Humphrey!” when he sees the dog. Kevin had a cocker spaniel named Humphrey for many years–he appeared in the ACEG and in episode 904- WEREWOLF. Sadly, Humphrey has since, ahem, gone to live at a farm in the country.
• In what seems to be a warmup for SPACE MUTINY, the hunky American astronaut is similarly called many brawny-guy names. A full list is in Ward E.
• Bridget is terrific — it is maybe her finest hour on the show — as Nuveena. After the show aired, she was an immediate sensation on the MSTie internet. Male MSTies declared their love, and quite a few female MSTies immediately adopted the moniker or variations on it. It was also the first time any human female was on the bridge of the SOL, for whatever that’s worth.
• Obscure reference: “Everybody to get from street!” a reference to a throwaway line in a now-seldom-seen Cold War comedy called “The Russians Are Coming, the Russians Are Coming!” (Some commenters took exception to me calling the movie “largely forgotten,” so I’ve changed the wording.)
• Cast and crew roundup: Producer and story writer Fred Gebhardt also worked in “The Phantom Planet.” Special effects guy Howard A. Anderson (also worked on “Women of the Prehistoric Planet,” “King Dinosaur,” “The Amazing Transparent Man” and “It Lives By Night.” Set designer John Burton also worked on “The Girl in Lovers Lane” and “High School Big Shot.”
In front of the camera, Ken Clark also appeared in “Attack of the Giant Leeches.” Anthony Dexter also appeared in “The Phantom Planet” and “Fire Maidens of Outer Space.” Richard Weber also appeared in “The Phantom Planet.” Tom Conway also appeared in “The She Creature.” Francis X. Bushman also appeared in “The Phantom Planet.”
• CreditsWatch: Host segments directed by Jim Mallon.
• Fave riff from the short: “This is a rebuttal to ‘Roger & Me.’” Honorable mention: “Holly-Go-Weirdly!”
• Fave riff from the movie: “You know you can only apply one-sixth the tongue on the moon?” Honorable mention: “Hey, go stink up your own area!”

Movie: (1965) A boy genius invents a growth formula, which is consumed by some trouble-making teens.

First shown: 1/22/94
Opening: M&tB are doing their quarterly workout
Intro: While Mike juices, Dr. F. downsizes TV’s Frank!
Host segment 1: Dr. F. interviews Torgo
Host segment 2: M&tB interview rough-looking Frank
Host segment 3: M&tB sing: “The Greatest Frank”
End: A letter to Frank, Frank gets his job back
Stinger: Tribute to Frank Zappa
5 Stars4 Stars3 Stars2 Stars1 Star (187 votes, average: 4.53 out of 5)

• This is just a great episode all the way around: Great segments, a fun and very riffable movie, great riffing, a great song, everything you can ask for.
• This episode is included in Mystery Science Theater 3000 Collection: Vol. XXVI.
• If you want to know more about this movie — a LOT more — check out villageofthegiants.net. Some amazing stuff there.
• References.
• The song Tom is singing in the opening segment is “Chicken Fat” sung by Robert Preston in the original song. I have vivid memories of being forced to do calisthenics to it in elementary school gym class.
• The segments are essentially one story, but each sketch is also a little bit of brilliant free-standing satire on the inanities of the working world. Having been canned myself, the opening resonates.
• Of course, one feature of this movie is an appearance by The Beau Brummels. I had never heard of them when I saw this for the first time, but they have their admirers, apparently.
• Non-spaghetti ball bumpers; close up film canister; pan down to notebook; shot of blackboard–a big bone hits it
• Callbacks: “Coruba!” (Outlaw) “What sin could a duck commit in a single lifetime?” (Amazing Colossal Man) “I didn’t steal no bike, neither.” (Teenage Strangler) “Dang smoochers!” (The the Eye Creatures) “I’m gonna moon you, man!” (The Beatniks).
• Segment 1 is another gem. The line “Well, I work too hard…hahaha” never fails to slay me.
• See something familiar in those exterior shots? That’s the back lot. Some of those houses were also used for TV’s “Bewitched” and “I Dream of Jeannie.”
• Segment 2 is yet another classic. I always have a hard time not using Frank’s lines when being interviewed.
• “Let Me Be Frank about Frank” is great stuff. The Paul Williams impressions are particularly funny. It was performed at the live shows in 1994, and featured a lovely interpretive dance by a leotard-clad Frank (video of which was included on the “Scrapbook” tape). The segment also features a great montage: Again, Cambot gets the credit, but the real artist is probably Brad Keeley. The song was created by the songwriting duo of Michael J. Nelson (music) and Bridget Jones (lyrics).
• In the credits, we get a reprise of the song and we think it’s all fun and then the whole thing becomes poignant. In the ACEG, I believe it was Kevin who noted that Zappa had contacted the Brains shortly before his death with the idea of doing something together, but time ran out, alas.
• Cast and crew roundup: Again, I am not going re-recite the Bert I. litany. Suffice to say we know him well. Some guy named H.G. Wells also wrote stuff that “Riding with Death” was very loosely based on. Cinematographer Paul C. Vogel, special effects guy Herman Townsley and art director Franz Bachelin all worked on “Tormented.” Photo process guy Farciot Edouart, sound recorder Charles Grenzbach and make-up man Wally Westmore all worked on “The Space Children.” Sound effects guy Jack Cornall worked on “King Dinosaur.” Editor John Bushelman also worked on “King Dinosaur” and “Tormented.”
In front of the camera, Tommy Kirk and Jim Begg were both in “Catalina Caper.” Johnny Crawford was also in “Space Children.” Bob Random was also in “Being From Another Planet.” Joseph Turkel was also in “Tormented.”
• Creditswatch: Host segments directed by Kevin Murphy. Also, with this episode the “Manager of Business Affairs” credit vanishes, and in its place is a “Director of Operations” title, held by one Jeffrey P. Young. He lasted a grand total of five episodes. I bet there’s a story there.
• Fave riff: “This is Tommy Kirk REALLY acting!” Honorable mention: “A buffalo shot that covers three states.”