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Sci-Fi Archives
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The big news: Season 11 will be carried on Netflix.
Production news:
The panel revealed never-before-seen concept art and a sneak peak at the evolved version of the show’s-iconic “door sequence.” We’ll post video when we can.
Casting announcements:
Bill Corbett joins Season 11 to write and will have a guest appearance as his character “Brain Guy.”
Kevin Murphy will make a guest appearance in Season 11 as his character “Professor Bobo.”
Mary Jo Pehl will join Season 11 to write and for a guest appearance as her character “Pearl Forrester.”
John Jurgensen of the Wall Street Journal has a story…
All too often, the films shown on MST3K rely quite a bit on padding to get up to feature length. Frequently the padding has no perceivable relevance to the plot. So which occasions of non sequitur padding do you find particularly egregious? My top pick is the scene with Ike the Security Guard in The Wild, Wild World of Batwoman. A very close second would be the Fish Argument Theater from Gamera Vs. Zigra.
Gonna have to go with The endless traveling scenes in King Dinosaur. Completely useless to the plot.
Movie: (1957) A swarm of giant grasshoppers, inadvertently created by a radioactive experiment, heads for Chicago.
First shown: 11/25/93 Opening: During a group sing, M&tB get a wrong number Invention exchange: The Mads present the re-comfy bike, M&tB show off their new playing cards Host segment 1: Mike calls the Mads and catches them off guard Host segment 2: Crow unveils his latest screenplay: “Just Plain Peter: The U of M Years” Host segment 3: Tom’s standup routine is heavy on grasshopper jokes End: The bots post-card, Bert I. Gordon special effects, Mads are boxing Stinger: “Alright, men. Into the woods!” (234 votes, average: 4.33 out of 5)
• This one’s a bit of a change of pace, literally: Bert I. Gordon slows things down and grinds out the filler thoughout a drab, monster-free first half — but that just leaves plenty of room for the riffs. Once the grasshoppers and Peter Graves arrive, things really pick up. The host segments are fun, especially Crow’s newest screenplay.
• References.
• Mary Jo is VERY good at playing those trailer trash gals. Maybe a little TOO good. That’s Paul yelling in the background.
• The playing cards bit, which I think even they realized was a little wifty, would be parodied in season six.
• Some grasshoppers were harmed in the making of this movie: According to reports, the grasshopper wranglers started with 200 of the little guys. During the filming, they began to cannibalize one another, and by the time the last shots were done, only a dozen were left.
• When we started doing the Mike episodes, somebody in the comments said it was the beginning of an era when the Mads became more effeminate, and yeah, I guess there was a bit of an upswing of that kind of comedy. Segment one is a good example.
• Rhino really screwed the pooch on the packaging for this one: Joel’s picture is on the package and he is touted as the star. On the menus, you can hear Arch Hall Jr. croon “Vicky.” Bleah.
• Tom begins to sing a few bars of George Michael’s “Faith” before Mike and Crow threaten him.
• Callbacks: What would Mitchell do? “…sing whenever I sing…” (Giant Gila Monster) Trumpy! (Pod People)
• In the theater somebody who is not Mike coughs. I think it’s Kevin.
• Cast and crew roundup: I’m not going to recite the whole Bert I. Gordon litany. Screenwriter Fred Freiberger was the producer for the “Space: 1999” episodes that appeared in “Cosmic Princess. Cinematographer Jack Marta also worked on “Earth Vs. The Spider” and “War of the Colossal Beast.” Editor Aaron Stell also worked on “The Giant Gila Monster” and “Killer Shrews.” Flora Gordon also helped with special effects on “Amazing Colossal Man,” “Earth Vs. The Spider,” “War of the Colossal Beast,” “Magic Sword” and “Village of the Giants. Special effects guy Dean Duncan Parkin was an actor in “War of the Colossal Beast. Production manager James Harris also worked on “Amazing Colossal Man.” Art director Walter Keller also worked on “Earth Vs. The Spider” and “War of the Colossal Beast.” Sound guy Dick Tyler Sr. also worked on “Radar Men from the Moon.” Our old pal score composer Albert Glasser did music for too many movies to name.
In front of the camera, I’m not going to recite the Peter Graves litany again. Morris Ankrum was also in “Rocketship XM.” James Seay was also in “Amazing Colossal Man.” Hank Patterson was also in “Amazing Colossal Man” and “Earth vs. the Spider. John Close was also in “The Slime People” and “The Deadly Mantis.” Rayford Barnes was in “Mitchell.” Don C. Harvey was also in “Revenge of the Creature.” Larry J. Blake was also in “Teen-Age Crime Wave.” Eileen Janssen was also in “The Space Children.” Patricia Dean was also in “The Girl in Lovers Lane.” Peggie Castle was also in “Invasion U.S.A.” Pierre Watkin was also in “Radar Secret Service.”
• CreditsWatch: Host segments directed by Kevin Murphy. This was Stephanie Hynes last episode as an intern. There’s a special item at the end: “Shot entirely in Minneapolis, home of the University of Minnesota.”
• Fave riff: “Look, we’ll move to the loop to Schaumburg!” Honorable mention: “Yeah, terrible. Martinis?”
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