Movie: (1975) A slovenly cop is determined to bring a mob kingpin to justice.

First shown: 10/23/93
Opening: Joel’s unveils his toothpicky creation; the bots know what they have to do
Invention exchange: The Mads are being audited, so they’ve hired a temp by the name of Mike; J&tB present the Daktari stool
Host segment 1: Gypsy overhears the Mads plotting and thinks they’re talking about Joel
Host segment 2: A worried Gypsy tries to think of a way to get Joel off the SOL; Crow and Tom are no help
Host segment 3: Mike learns of a hidden escape pod, and gives Gypsy control
End: Joel is ejected into the escape pod, leaving behind a plaque and a final word; Dr. F. is furious … until Mike presents his time card
Stinger: “Your lying through your teeth!” “Buzz off!” “No, you buzz off!” “I SAID BUZZ OFF, KID!”
(213 votes, average: 4.78 out of 5)
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• It all starts so normally. Just another episode, right? Wrong. This is, of course, the most famous of the show’s “transition” episodes, and I’ve seen it perhaps a dozen times now. What sticks out is how well the whole thing falls together. There’s a lot going on here, but it’s all accomplished in about 15 minutes. Tight scripting, tight performances, tight editing, it’s a marvel of precision. It’s sentimental, but it doesn’t get mawkish. And it’s very funny all the way through.
• This episode was first put out as a single-disk release on November of 2001.
• References.
• You want a metaphor? How about Joel building an extremely fragile creation, certain in the knowledge that it will be destroyed? Now, that’s a metaphor.
• Mike makes his first appearance as, well, Mike. Wow is he young. (Recently I saw a movie starring a young Tab Hunter, and I’d never noticed before how much a young Mike and young Tab vaguely resemble each other. Maybe it’s the square heads.)
• The Daktari stool sat in the hallway of BBI for years. It was still there when I visited the set in 1999.
• What does Joel have against Harlan Ellison? Besides the obvious, of course…
• Segment 1 features a parody of the scene in “2001: A Space Odyssey” in which computer Hal reads the lips of the astronauts. Interesting that “2001” is again parodied in another transition episode at the end of season seven.
• Segment 1 is pretty much as close to Dr. F and Frank as most of us will ever get. I remember some female fans of Trace rather enjoyed it.
• Jim does a great job in segment 2. “Breathe through your nose”?
• I love the moment when Mitchell says: “Sh—.” and Joel finishes his line with: ‘…ugar?”
• Want a connection from this movie to the Robert Blake murder case? Sure, we all do! Gary McLarty and Ronald (Duffy) Hambleton, both of whom testified against Blake when he was accused of killing his wife, had small roles in this movie. McLarty played one of Mistretta’s henchmen and Hambleton played mob boss Edmondo Bocca, who gets dropped by Mitchell just short of the green. Both testified that Blake explicitly discussed killing his wife. But, unfortunately for the prosecution, both of these guys had somewhat checkered pasts. Blake’s defense team successfully undermined the credibility of both witnesses, introducing evidence of mental illness, drug addiction, etc. In the end, their testimony may have actually helped Blake get off.
• Not mentioned in the references list, because they only do references during the movie and not during the host segments, is the “OPE” thing Gypsy is muttering. It’s a reference to the movie “Dr. Strangelove.”
• The presence of that Christmas tree in John Saxon’s house — and pretty much no other references to it being Christmas — is one of the many odd things about this movie.
• Joel seems to lose it during the “Adam Rich” scene. (Actually, the kid is played by a Todd Bass, in his second and last role in show business, according to the IMDB. It would be fun to find Mr. Bass, who must be in his 40s by now, to see what he remembers of this shoot. By the way, according to Wikipedia the kid is supposed to be the son of Linda Evans’ character! Who knew?)
• Then current reference: the forgotten movie “Cop and a Half.”
• Hamdingers suddenly took over the MSTie consciousness after this episode, but it was funny how Gypsy and Mike (and, by extension, BBI) seemed very clear on what Hamdingers were … but nobody else seemed to be. It was hard to nail down just what they were, and descriptions seemed contradictory. Some said the Swift-Premium folks made them (I believe Kevin invoked Swift Premium during an online chat). Not true. At long last, I can point to this site, which seems to solve the mystery at last.

Hamdingers were a short-lived meat product produced by the Patrick Cudahy Co. out of Cudahy, WI, in the mid ‘70s … The product was sliced ham patties, about the size of a hamburger patty, and it came in a round can. Like Spam, it became a great meat to fry up with some eggs for breafast, but the great thing about Hamdingers is that it came in individually sliced portions, so you could grab a patty and fry it up for that perfect Hamdinger sandwich.

The entry doesn’t mention that they were reportedly great fish bait as well.
• I love that DOS command Mike has to type in to the “techtronic panel” (apparently this was the one and only time that the control panel in Deep 13 was called this).
• Movie comment: Toward the end of the movie, Mitchell inserts a portion of his handkerchief (there’s a lesson, kids!: always remember to carry a handkerchief; you never know when you might want to blow up a drug dealer’s car!), then screws the gas cap back on over it, so that the rest of the handkerchief is hanging down. He then drives to the meeting place and when the deal goes south he, all in a split second, whips out a lighter, lunges forward and holds the lighter to the handkerchief, which INSTANTANEOUSLY lights up. Now maybe, just maybe, the tank was very, very full and the handkerchief got nice and soaked with gasoline on the ride over. But the tank might also have been mostly empty, meaning the handkerchief could have been bone dry. That seems far more likely, doesn’t it? Which would mean it would have taken maybe ten seconds for Mitchell to light it, plenty of time to stop Mitchell. What I’m saying is that it seems unlikely that the handkerchief would immediately burst into flames in a fraction of a second like it does here. The whole thing is about as implausible as a young, sultry callgirl falling in love with Mitchell.
• Callbacks: Several references to “Eegah”; reference to rock climbing.
• Toward the end of the movie, we get Joel’s last bit of fatherly control during the bit where Tom and Crow get a bit dark and suggest Mitchell should turn the gun on himself.
• Naughty riff: “I’m huge.”
• I love the classic, low-tech use of confetti to simulate static in the Hexfield. Very Joel.
• When fans on the internet weren’t obsessing about Hamdingers, they were arguing about the correct pronunciation of “Lao” as in “Dr. Lao.” The consensus was that Joel blew it.
• Tom and Crow fall apart during the PANIC, but I think this may be one time it was on purpose.
• I love Mike’s expression as Dr. F and Frank laugh about his fate.
• Cast and crew roundup: Sound mixer Herman Lewis also worked on “Teenage Caveman,” “Viking Women and the Sea Serpent and “Night of the Blood Beast.” Score composer Jerry Styner also worked on “The Side Hackers.” In front of the camera, Buck Young also appears in “Stranded in Space,” Rayford Barnes also appears in “Beginning of the End,” Jim B. Smith also appeared “San Francisco International and Alan “Mustang hood” Gibbs did stunts for “Hangar 18.” And, of course, Joe Don Baker also stars in “Final Justice.”
• CreditsWatch: Host segments directed by Kevin Murphy. Jim Mallon is listed as a contributing writer for every episode in season 5 except this one, where he is listed as an “additional writer.”
• Fave riff: “We’re going to control the ghetto, you and I, young man.” Honorable mention: “BABY OIL??? NOOOO!!!!”