Movie: (1967) A famed plastic surgeon/hypnotist/championship archer, whose brother is a “top agent,” is recruited to stop a villain and his scheme involving radioactive rugs.

First shown: 9/11/93
Opening: Tom is enjoying Joel’s home movies; Crow is scared
Invention exchange: The Mads show off Frank’s Lederhosen-hosen, Crow has invented Sara, the bobbin’ buzzard
Host segment 1: Joel’s is an evil supervillian! “I know!”
Host segment 2: J&tB parallel the lives of Sean and Neil
Host segment 3: While Joel tries to hypnotize Tom, Torgo returns in Deep 13
End: Dr. F. uses his magnetizer, much to J&tB’s dismay
Stinger: Mr. “Thunderball” pushes the button
(82 votes, average: 4.74 out of 5)
Loading...

• When I converted my ancient VHS tapes to DVD, the one containing this episode was the only one that failed to function. A pal of mine (now, sadly, no longer with us) provided me with a fresh copy. Thanks, buddy. (The last time around, this item led to a discussion of my rickety computer set up. If you’re interested, I did eventually get that mac mini — which, about a year later, died one morning and I had to get a newer one, which is working splendidly, thank you — but I am still struggling with slow and spotty Verizon DSL.)
• This episode appears in Mystery Science Theater 3000 Collection: Vol XXV, as “Operation Kid Brother.” They had to use the alternate title to get the rights.
• References.
• This is episode is fun, and funny, but I don’t love it quite as much as the previous couple of shows. The host segments are hit and miss, for one thing. But an even bigger problem for me is that I never understood the bad guy’s plan. Or is it plans? The last time through I pointed to this site, which does a pretty good job of explaining what the heck is going on, but even he gets confused.
• I previously claimed that this is the first mention of swing choir. A commenter proved me wrong.
• Frank really commits to the lederhosen bit. You have to wonder how they felt doing some of those bits, without any audience to tell them if it was hilarious or dreadful. In the absence of feedback, they just committed.
• The Bobbin’ Buzzard is a lovely prop. Kudos to Jef Maynard or whoever was responsible.
• This movie may very well have the greatest theme song of any MSTed movie.
• Callbacks: “Hooray for Santy Claus!” (Santa Claus Conquers the Martians). Tom does the “That must be one of those [fill in noun here]s I’ve heard them talk…about…so…much…lately…” bit twice (Gamera). “There WAS no Yashuko.” (Monster-A-Go-Go). “To see your land!” (Magic Voyage of Sinbad).
• Obscure reference: “Michael, I want all the episodes of Captain Nice burned.”
• If you think this was Neil’s one and only film role, you’re mistaken. He was also in “The Body Stealers” in the 1970s, then he “retired” for a while, but ten years later he returned to movies and has been working intermittently since then. Once you get show bidness in the blood…
• Literary riff: “She thinks she’s in Dresden during the war.”
• The Rodney King incident is still on the writers’ minds.
• Joel makes a rare entrance through the “G” door in the first segment. This segment is a good example of what I call an “aren’t they adorable” sketch. It only works because, at this point, all Joel has to do is look at the camera and arch an eyebrow and we laugh. If you showed this sketch to somebody with no knowledge of the show or its performers, they’d be probably be baffled as to what’s funny about it. But fans who know and love the characters get it. I think it’s hilarious.
• Kevin really tapped into his Catholic upbringing during the nun scene.
• Crow does his Phyllis Diller impression twice, using the same line: “I’m looking for Fang!” (Fang was an invention of Diller’s from her standup days: a boorish husband she could mock. The reason he does it is because the lady’s wacky hat looks like something Diller might have worn in those days.)
• Segment two reminds me of one of those long, over-written, complicated sketches from season two. But you can sense Mike Nelson’s influence: it makes reference to a cheese factory.
• During the weird hijacking scene, Tom notes that the melody in the score sounds very similar to the classic kids’ hymn “Jesus Loves Me.” But what’s interesting is that this mockery displeases Joel, who makes him stop singing it.
• The last time around, I wondered why Beta wants to kill his own henchbabes. A commenter set me straight and this time I realized that Beta himself explains this during the party scene. I must have missed it in a previous viewing.
• Mike returns, eight episodes later, as Torgo. With the lag time these episodes had, I’m guessing the Brains had only recently picked up on the rave reviews from fans about “Manos.”
• Yet another “wha-happa?” “Wha happa” is to season 5 what “I thought you were Dale” was to season 8.
• Dr. F. is nice and evil in the closing segment. Oh, and nice job of building the magnetizer, which looks a LOT like the one in the movie. This was one of those prop-heavy episodes Jef Maynard talked about in the documentary about the show.
• Cast and crew roundup: Director Alberto de Martino also directed “The Pumaman.” Scriptwriter Frank Walker also wrote “Devil Fish.” Costumer Gaia Romanini also worked on “Hercules.” Score composer Ennio Morricone also provided music for “Diabolik.”
In front of the camera, Adolfo Celi was also in “Diabolik.” Lois Maxwell did voice work for “Invaders from the Deep.” Guido Lollobrigida was also in “The Pumaman.”
• Host segments directed by Kevin Murphy. Manager of Business Affairs Heide A. LeClerc becomes Heide A. LeClerc-Becker. Alpine horn provided by: Josef Diethelm. (Diethelm was the front man for a Twin Cities polka band.)
• Fave riff: “Do I have enough time to beat up the band?” Honorable mention: “Oh, who’s the sign for?”

Short: (1954) A look at the then-new techniques that enabled farmers to rush produce to market.
Movie: (1944) Ruined by — but in astonishing denial about — his boozy, carousing parents, a neglected essay-contest-winning young man gets involved with gangsters.

First shown: 9/4/93
Opening: Tom Servo is naked!
Invention exchange: The Mads present cake ‘n’ shake, and Frank bakes the exotic dancer right into the recipe; J&tB demonstrate the junk drawer organizer
Host segment 1: Joel analyzes the bots’ art therapy projects
Host segment 2: J&tB reenact the night club scene from the movie
Host segment 3: J&tB analyze troubled Jimmy from the movie
End: The bots try to reenact the cafe scene from movie to scam a hamburger, Joel reads a letter, the Mads are digging out Rodney
Stinger: “What? What’s so funny?”
(125 votes, average: 4.85 out of 5)
Loading...

• Another in a string of wonderful episodes. The movie is a little bland, but the riffing is great. And, you know, I begin to suspect that, for any given episode you can sort of tell whether the movie held their interest and sparked a lot of discussions and ideas or whether their minds were wandering, based on how much the host segments have to do with the movie. You can tell they were really following the movie this time. I watched this on a big screen (with Joel sitting next to me) a few years ago and the audience was simply roaring with laughter all the way through.
• Early versions of the Rhino packaging of this episode had a small goof. It lists the episode number as 424. It got fixed in later printings.
• Great line: “How many times have you gone rootin’ through your junk drawer muttering to yourself ‘Where’d I put that gun?’” Toward the end of the movie, our hero roots through the junk drawer in the hall table of his parents’ house, looking for a gun. Think that moment may have been the inspiration for this host segment?
• Now, duck news! Here’s Hugh McQuacken! They do the “quacking” gag five times, and it gets funnier each time. For those who don’t get it (and I remember that every time this show aired, a number of people would post questions online asking, “Why were they quacking?”), look at the wall of the hallway outside the door.
• The short would be incredibly depressing if not for the riffing. As it is, it’s still a LITTLE depressing.
• Sam Newfield did NOT direct “Jungle Goddess” as Joel says when his credit appears. He DID, however, direct the movies in episodes 103- The Mad Monster, 208- Lost Continent and 520- Radar Secret Service. He also directed the infamous “Terror of the Tiny Town,” the all-midget Western. Again, this was the era when you couldn’t just look stuff up on the then-fledgling, Usenet-based IMDB. What could have led them to have made that mistake? I’ll bet it has something to do with the use of the phrase “hamburger sammich with French-fried potatoes,” which is used in this movie and in “Jungle Goddess.”
• In the previous episode Crow was shattered. This week Tom gets painted. They really started doing stuff to the bots in this period.
• Then somewhat current reference: Joe Bolster. Joel is an admirer.
• Host segment 1 is, um, quirky, and only vaguely movie-related. Peggy Cass is an odd element.
• Segment 2 is a riot, especially Joel’s takes to the camera. I think it works so well because it comes IMMEDIATELY after the actual movie sequence. Nice to see Gypsy was willing to go along. Also, listen for another “wha happa!”
• I love the PA announcements J&tB do during the second song. “Cheese fries are up!”
• Another VERY movie-focused sketch in segment 3, and very funny.
• Obscure reference: the religious TV show “Insight.” I remember watching that a little, but to me they always felt like defanged “Twilight Zone” episodes.
• Some people wondered why Anne Blythe’s name is written on the tank. I suspect they’re just trying for World War II authenticity.
• I remember that somebody in the AOL MSTie forum – or it might have been on RATMM – had an idea for a MSTie cookbook. My submission was a hamburger sammich with French-fried potato garnish, complete with handgun on the side and a required trip to church every Sunday.
• That’s Brad Keeley as Rodney in his first on-camera role.
• Cast and crew roundup: As noted above: director Sam Newfield also directed “Mad Monster,” “Lost Continent” and “Radar Secret Service.” Special effects (?!) guy Ray Mercer also worked on “Lost Continent,” “Radar Secret Service,” “Last of the Wild Horses,” “The Sinister Urge” and “The Beast of Yucca Flats. Art director Paul Palmentola also worked on “Teen-Age Crime Wave.” Set designer Harry Reif also worked on “Radar Secret Service.” “Women of the Prehistoric Planet” and “The She-Creature” and was assistant director of “Gunslinger.”
In front of the camera, super-hottie Mary Beth Hughes was also in “Last of the Wild Horses.” Edward Earle was also in “The She-Creature.”
• CreditsWatch: Host segments directed by Trace Beaulieu.
• Fave riff from the short: “Texans!” Honorable mention: “A pre-teen is put to work; her beauty will soon fade.”
• Fave riff: How do ya like my swingin’ church, son? Honorable mention: o/` I knew I’d go from rags to riches… o/`