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Sampo & Erhardt
Sci-Fi Archives
Visit our archives of the MST3K pages previously hosted by the Sci-Fi Channel's SCIFI.COM.
Veteran actor James Douglas died March 5. He was 86.
Douglas played many roles on daytime soap operas, including “As the World Turns,” “One Life to Live,” “The Edge of Night,” “The Doctors” and Elliott Carrington on “Another World.”
He also appeared in feature films, including 1960’s “G.I. Blues” and 1962’s “Sweet Bird of Youth.”
Early in his career, though uncredited, he played a communications man in the movie in episode 906- THE SPACE CHILDREN. His role as an army sentry in the movie in episode 517- BEGINNING OF THE END was also uncredited.
Trace and Frank, a.k.a. The Mads, will do a show Friday, May 13, at 8 p.m. (doors open at 7 p.m.) at the Turner Hall Ballroom, 1034 N. Fourth Street in Milwaukee.
Short: (1941) In the conclusion of a two-part short, our sales manager hero gets advice from his handkerchief-wearin’ dad. Movie: (1966) A hapless family on a car trip in rural Texas takes refuge at a “lodge” that turns out to be the home of a deadly cult.
First shown: 1/30/93 Opening: Joel has programed the bots to agree with everything he says Invention exchange: The Mads present the chocolate bunny guillotine; J&tB show off the cartuner Host segment 1: J&tB’s car trip sketch is ruined by Manos footage, Frank apologizes Host segment 2: J&tB discuss the physical attributes that would make them a monster Host segment 3: Joel dons a Manos cape, Dr. F. apologizes End: The bots reenact the lady wrestling scene, Torgo’s pizza arrives Stinger: “Why don’t you guys leave us alone?” (360 votes, average: 4.83 out of 5)
• Whatever else they study, every Civil War buff has an opinion about Gettysburg. Whatever else they grow, every gardener has an opinion about tomatoes. No matter which team they root for, every baseball fan has an opinion about the Yankees. And every MSTie has an opinion about “‘Manos’ The Hands of Fate.” So much has been written about this awful, awful movie, and this justly famous episode, that it’s hard to make a fresh observation, but here are a few thoughts.
• This episode was issued by Rhino as a single, and also as part of the “Essentials” set.
• References
• This is one of two or three episodes that I practically have memorized. I can pretty much do all the riffs right along with J&tB.
• There’s been a lot of “Manos” news, including the sequel (featuring cast members from the original movie) that now seems to have sputtered out, the work to restore the movie and create a high-definition version, and the re-riff by RiffTrax. A fascinating recent article in Playboy investigated the bitter legal battle for the rights to the movie.
• Paul Chaplin once noted that many MST3K movies are “made by oily guys who elect to direct the camera largely on themselves.” He was talking about TISCWSLABMUZ, but this is another perfect example.
• At several MSTie parties I have attended where this episode was screened, people handed out napkins, which people unfolded and put on their heads at the moment ol’ Dad in the short does so. Has anybody else done this, or do I just hang out with weird people?
• The opening bit is great, and I suspect every fan of Joel has felt a little like the programmed bots at one time or another. You see this butt? Kick this butt.
• There’s a funny clank as chocolate bunny guillotine falls. I’m guessing it’s the weight that held the blade up falling to the floor somewhere off camera?
• The last issuance of The Cartuner isn’t really that strange: It sounds pretty much like something Gary Larson would have actually done (if he wasn’t afraid of getting sued by the Bil Keane empire). God, I miss The Far Side…
• Joel seems a little touchy when Crow suggests this might be a snuff film! Does Joel really know the limit of the sort of evil the Mads might try?
• Stuff about the movie you may already know: The movie was shot with a camera that could only shoot a small amount of film at a time, making long, continuous takes impossible. Hence the “dissolving to the same scene” Crow observes early on. Also, the long pointless driving scene was supposed to have credits supered on it, but Hal forgot.
• I had the opportunity, a few years ago, to exchange emails with Hal Warren’s daughter, who told me that her brother wore the Master costume on several Halloweens and that the painting of the Master adorned a wall of her home for many years.
• Joel’s looks of disgust and horror in segment two are great.
• As I was watching segment 3, my wife wandered through and said, “You should have worn THAT to the costume party at one of the conventions. I could have made that.” I had to break it to her that about 20 guys were wearing versions of the Master cape.
• Joel mentions Mentos, commercials for which were being seen regularly on MST3K.
• Then topical: “The Tasters Choice saga.” Remember when people cared about THAT nonsense? Also, I’m betting fewer and fewer people remember who Marilyn Quayle is.
• That’s Mike, of course, in the first of several appearances as Torgo. Let me just get your complementary crazy bread…
• There is no cast and crew roundup for this movie.
• Creditswatch: Host segments directed by Joel Hodgson. This was intern Curtis Anderson’s last show.
• Callback: “Torgo, you’re the laziest man on Mars.” (Santa Claus Conquers the Martians). “He tampered in God’s domain” (Bride of the Monster).
• Fave riff from the short: “Gah! Flying elves are back!” Honorable mention: “Seein’ as how we’re salesmen and all.”
• Fave riff from the movie: “And now the Manos Women’s Guild will re-enact the Battle of Pearl Harbor.” Honorable mention: “Yeah, here I go! Vroom!”
Next week we will do the MST3K Scrapbook and we’ll start Season 5 the following week.
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