Short 1: (1951) The thugs kidnap Joan and take off with her in a small plane but Cody is in hot pursuit.
Short 2: (1951) Cody saves Joan but is shot down. The thugs blow another heist and are on the run again.
Movie: (1953) After invaders from space wipe out most of humanity, a surviving family confronts their robot nemesis.

First shown: 12/23/89 (unconfirmed)
Opening: Joel explains the premise
Invention exchange: The Mads demonstrate their methane whoopee cushion; Joel has the cumber-bubble-bund
Host segment 1: Reality vs. Commando Cody
Host segment 2: Crow and Tom play Robot Monster, but Joel misunderstands
Host segment 3: Crow and Tom trying to understand surrealism
End: J&tB’s “tribute to Ro-Man” pageant baffles the Mads
(166 votes, average: 4.13 out of 5)
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• It is with this episode, about halfway through the season, that the show really hits its early stride. You can feel them get more comfortable and begin to explore the premise they’ve created. This show has some very funny riffing, decent host segments and, of course, an iconic bad movie (and I don’t like using that word much, but I think it applies here). It’s one of the better episodes of the first season.
• References.
• It’s my theory that, by riffing this movie, the Brains opened themselves up to the endless “When are you going to riff ‘Plan 9’? questions. Somehow, in some people’s minds, those two movies are intertwined (a little like how some people saw riffing “This Island Earth” as an affront to “The Day the Earth Stood Still”).
• Joel is again wearing a robe in the opening segment. Some commenters have suggested that it’s reflecting the show’s time slot, which was being played on Saturday mornings.
• Joel once again explains the premise in the opening segment. I get the feeling that Comedy Channel wanted them to do this for the benefit of new viewers.
• The Bots are present during the invention exchange for the first time.
• Gypsy’s light is still off.
• You know, it’s a little embarrassing to hear Josh say that this movie stars “no one.” Not really true. Maybe George Nader never got from B-list to A-list (due to personal reasons) but he was pretty well known. We’ve already encountered him in episode K18-THE MILLION EYES OF SU-MURU and we’ll meet him again in episode 420-THE HUMAN DUPLICATORS.
• The theater seats are again green.
• Josh sneezes in the theater during the first short. They just keep going. Joel expresses some surprise at this, but Josh covers well. Trace just says “‘zunt!” (Short for “gesundheit,” I guess.)
• When something that looks like a dartboard appears during the short, Joel’s produces a giant dart. Tom Servo, perhaps fearful of what will happen to the screen, pleads with him not to use it.
• Elmer Bernstein, whose name Tom Servo seems to find amusing during the credits, went on to do some great scores (including “The Magnificent Seven” and “The Great Escape” ). This one really isn’t that bad, in fact.
• Yet more jokes at the expense of Isaac Asimov. I’d never noticed how often they do that in this first season.
• Servo’s head explodes for the second time in the national series, during the first host segment, while thinking about bumblebees–followed by Crow and Cambot for the first and only time (I think).
• Segment 3 is a rethink of a segment in episode K11- HUMANOID WOMAN.
• This episode features the first of several references to a supposed movie called “Yards of Leather.” At the second convention, I asked The Brains if that movie actually existed or what? They all looked at me like I was crazy. Google is silent on the title.
• Thanks to the Urban Dictionary, I finally know what “the zacklies” are. Gross.
• Highlight: Joel’s riotous narration of the love scene.
• The cave scenes were filmed on location in California’s Bronson Canyon. That location was also used also in the filming of episodes 210-KING DINOSAUR, 311-IT CONQUERED THE WORLD, 315-TEENAGE CAVEMAN, 317-VIKING WOMEN, 319-WAR OF THE COLOSSAL BEAST, 404-TEENAGERS FROM OUTER SPACE and 701-NIGHT OF THE BLOOD BEAST.
• The house foundation scenes were done at a demolition site near Dodger Stadium.
• The dinosaur scenes are from “One Million B.C.,” and rocket scenes from “Flight to Mars.”
• Producer/director Phil Tucker tried to commit suicide after the film received awful reviews.
• Um, why are J&tB wearing trash bags in the closing segment?
• Stinger suggestion: “I cannot! But I must!”
• Cast and crew roundup: Producer Al Zimbalist also worked on “King Dinosaur.” Cinematographer Jack Greenhalgh also worked on “The Mad Monster” and “Lost Continent.” Editor Bruce Shoengarth was the sound effects editor for “Earth Vs. the Spider.” Special effects guy Jack Rabin also worked on “Rocketship X-M,” “Viking Women and the Sea Serpent” and “Invasion USA.” Special effects guy Roy Seawright also worked on “Teenage Caveman.” Stereo sound director Gordon Avil was the cinematographer for “King Dinosaur.” Sound director Lyle Willey also worked on “Bride of the Monster.” In front of the camera, as already noted, George Nader appeared in “The Million Eyes Of Su-Muru” and “The Human Duplicators.”
• CreditsWatch: Jim Erickson was again the “additional production staff,” and post production audio was again done by Rich Cook of TeleEdit in Minneapolis.
• Fave riff from short 1: “What are the physics of a broken jaw, college boy?”
• Fave riff from short 2: “I think we’ve all reported to the moon at one time or another.” Honorable mention: “I’m surrounded by idiots–of my own design!”
• Fave movie riff: “Okay, now tilt the camera down a little.” Honorable mention: “Mother, keep digging graves. Better do two. This isn’t going well.”