Short: (1939) A disguised Zorka, believed by everyone to be dead, arrives at the site of the plane crash and learns his wife has been killed. Despite the fact that he caused the crash, he blames his enemies and swears to avenge her death. The pilot of the plane survived the crash but was put into a coma by the exploding spider. Dr. Mallory concocts a formula to revive the pilot, but it fails. Guessing there is some missing ingredient to be found in Zorka’s lab, Mallory and military intelligence officer West go there, with reporter Jean Drew in tow. But Zorka beats them there, stocks up on supplies and escapes using his invisibility belt, though his assistant Monk is captured. West and Drew pursue him and find Zorka’s apparently abandoned car. West gets into the car and the invisible Zorka knocks him out and releases the brakes. As Jean looks on in horror, the car with the unconscious West inside careens down a hill out of control.
Movie: (1961) The U.S. sends spies to the Soviet Union to learn about an imminent missile attack, while trying to play catch-up with its own missile program. But failure on both fronts leads to a terrible conclusion.

First shown: 10/27/90
Opening: Joel gives Tom a “haircut,” then shows him the products he’ll need to maintain it
Invention exchange: Joel has been working on a candy ribbon adding machine (Gypsy ate the Mexican jumping bean bag chair), while the Mads have invented water-polo foosball
Host segment 1: Joel explains The Charlie McCarthy hearings on un-American activities
Host segment 2: Joel is the host of a civil defense quiz show
Host segment 3: Joel’s Russian counterpart visits on the Hexfield
End: J&tB explain why they’re upset about the movie and read a letter; Frank suggests movies the Mads could send that wouldn’t be so bad
Stinger: “Help me!”
(113 votes, average: 4.01 out of 5)
Loading...

• This is a great episode. it has three memorable host segments (the “Charlie McCarthy hearings” segment and the “civil defense quiz show” are typical of the long, densely written host segments of this period; Mike is at his goofy, unassuming best as Joel’s Russian counterpart). The short (as indicated by the complicated synopsis above) is action packed. The movie, on the other hand, drags in spots. But the riffing of both is very strong.
• This episode is included in Shout’s “Mystery Science Theater 3000 Collection: Vol. XXVII.”
• A first in this ep: Comedy Channel and BBI were getting complaints from viewers that Tom Servo’s head was covering up too much of the screen, so they tried an experiment: they installed a skinnier version of the Executive Snack Dispenser (you can still see them at Mr. Bulky’s) and announced that Tom had received a “haircut.” The experiment would only last two episodes, thank goodness.
• Joel’s jumpsuit is still bright red.
• Frank’s “Ya got me!” is a callback to Jim Begg in “Catalina Caper.”
• The water polo foosball thing is great but almost immediately the ball flies up and out of shot. Frank retrieves it and they keep going.
• Despite the closeup of the prop, I didn’t notice until I got to the Conventio-con, and saw the prop close up, that all the figures in the water-polo foosball game were tiny Dr. Forresters and Franks. (I’m sometimes not very observant.)
• Last week’s installment of “Phantom Creeps” said this one would be called “Death Stalks the Highway,” but it never actually says that in this episode. Chapter 2 is just called…Chapter 2. So, since it doesn’t actually appear on screen in this episode, I am not including that title here.
• There’s about 45 seconds of action in the beginning of this week’s “Phantom Creeps” installment that is pretty much the same 45 seconds that was shown at the end of the last installment. Which means it’s another situation where they end up having to write two sets of jokes for the same footage. But in one case they sort of fudged it: Crow does essentially the same Margaret Dumont joke in both versions. In one Crow says (in his best dowager voice) “Oh Captain Spalding!” In the other, Crow says, in the same voice, “But Professor Firefly!” Essentially the same joke.
• Naughty riffs: “Well, I got to third, if that counts for anything.” And the classic “Good morning!” which they would use again.
• This is a good moment to clear up a common misunderstanding among some MSTies. In the short, a character says, “the driver is gone or he’s hiding,” in a very Ronald Reagan-like voice. Crow’s response was to do his best Reagan impression and say “Welcome to Death Valley Days.” For several seasons thereafter, whenever Ronald Reagan needed to be invoked, somebody (usually Crow) would do Reagan and say, “The driver is either missing or he’s gone” or some such variation of the line. They did this so much that some fans began to believe that Reagan actually said something like this and that this was a direct reference to Reagan. He didn’t. It wasn’t. It was a reference to this moment in this short, where they were reminded of Reagan.
• Then-current riff: “Mallory…” “Yes, Alex?” A reference to then-hit TV series “Family Ties.”
• I wonder who did those drawings in segment 1.
• Watch for two things as Joel carries Tom into the theater after the first host segment. First, you can see the silhouette of the stick attached to Tom as Joel hands it to Kevin. Second, Kevin apparently fumbles the handoff and Tom flops over.
• Some of you young folks may be wondering who Art Metrano is, and why his name makes J&tB break out in song and dance music, accompanied by strange gestures. Metrano was a sometime standup comedian in the ’60s, and he (briefly) hit it big with a silly tongue-in-cheek bit parodying hack magicians. Soon every 12 year old in America (including yours truly) was doing it. Here’s a sample.
• Whoa, slam on “Thicke of the Night” and Kip Addotta out of nowhere!
• I love the line from the movie that slams cheese price supports. SOMEbody has issues…
• Segment 2 really goes on and on. On the plus side, Gypsy falls over with a very satisfying clunk.
• Several times during the scenes at the Russian missile range, the slabs of concrete remind J&tB of the monolith scenes in “2001: A Space Odyssey” so much that they parody the eerie chorus in those scenes. Cracks me up.
• Callback: “The dark one awaits for the Robot Holocaust.” And, a double: “The general is asking for hamburgers instead of chili peppers; they burn his gut (Sidehackers). He’d really like a (as the woman in Jungle Goddess) hamburger and some French fried potatoes!”
• Crow repeats the lyrics of “Bombs Away” by The Police one point. I liked The Police but these lyrics didn’t make an impression, so the reference when right by me.
• Another first: Thanks to one Mark Gilbertson, they’ve finally ironed out the Hexfield ViewScreen. It now sports a camera lens-like shutter, replacing with that high-tech window shade technology.
• Segment 3 was recently recalled by a lot of fans when a Russian version of MST3K was discovered on the Web.
• I can’t say for sure, but I THINK the closing segment and the letter contains the last in a long series if rips on Isaac Asimov.
• The episode ends with the first-ever “stinger”–a short snippet, usually the oddest moment, from the film. For some reason they don’t do one in episode 207- WILD REBELS, but after that it continues until the brief Observer takeover in season eight.
• Cast and crew roundup: Nobody involved in this movie did anything else in any other MSTed movie.
• CreditsWatch: A new element enters the credits this week: “Creative Pit Boss,” a rotating job. This week it was Joel. Trace and Frank are again grouped together “special guest villians” (misspelled). Hexfield Viewscreen Designed and Constructed by: Mark Gilbertson. Sorri Andropoli: Michael J. Nelson. With this episode, the final credit “Executive Producers: Joel Hodgson, Jim Mallon” first appears.
• Fave riff from the short: “Stunned?? He took six bullets!”
• Fave riff from the feature: “That’s why we’ve GOT TO CRUSH THEM!” Honorable mentions: “Oh that! My lederhosen just came back from the cleaners!” and “But underneath it was just like a bus ride in the 10th grade, if you know what I mean.” Also, I love the little road runner meep-meep Joel does right before an explosion.