Short: (1951) A jet-pack-equipped scientist and his team investigate reports of sabotage by spies from the moon and their hired thugs.
Movie: (1957) A mad scientist builds a robot to battle the mummy guarding an Aztec treasure.
First shown: approx. 11/18/89? (See below.)
Invention exchange: Joel demonstrates the airbag helmet; The Mads unveil The Chalkman, and then show off Deep 13’s new security system.
Host segment 1: Demon dogs attack; Tom takes them on, and fares poorly.
Host segment 2: Talks with Enoch, the demon dog king, don’t go well.
Host segment 3: Crow’s attempt to impersonate Enoch also fails.
End: Joel’s trick fools the demon dogs…or does it? Doh!
• As discussed in last week’s entry, it appears that this episode was actually the first one The Comedy Channel showed, just days after going on the air.
• This episode is part of Shout’s Mystery Science Theater 3000 Collection: Vol. XVII.
• Again, no opening segment.
• Again, the early Tom Servo design
• Again, no buttons on table, so Joel just slaps it.
• No Bots are present during invention exchange.
• The “airbag helmet” was another bit from Joel’s standup act.
• The Mads’ invention, a riff on the old Close and Play phonograph has one small problem. The dialog has the Mads’ saying that you are to “close it” and “open it,” echoing the old Close and Play commercial, but they’re not actually closing and opening it. They’re just lifting the tone arm up and putting it down. Kinda ruins the joke, but they were just getting the prop shop running, so I will let them slide.
• Say what you will about Josh, he was really “inside” Tom Servo; Kevin never used a phrase like “You can look me in the bubble and say that??” as Josh does here.
• The thinner bluescreen level makes Tom Servo look very odd in the theater–kind of elongated. Tom is also VERY animated in the theater–a stark contrast to his wooden behavior in the host segments.
• After 18 weeks of the little tiny KTMA theater seats, the standard-size seats take a little getting used to.
• In some scenes, the seats were fully black this week, not tinted at all, that I can see. But in very dark scenes the seats are tinted dark gray, like last week.
• The “demon dogs” were made out of a “Masters of the Universe” toy called “Battle bones,” painted red and black and added with some contruction paper ears.
• That is clearly Jim Mallon doing the voice of Enoch, the king and charismatic leader of the dog people. Unfortunately, it’s really hard to make out what he is saying thanks to the incessant clacking of the puppet’s mouth.
• Josh makes an odd comment during host segment 2, calling the SOL “the 2525” and telling Cambot that the SOL’s schematics are under “2525” in his files. Is this weird Zager and Evans reference?
• Watch carefully early in the feature during the flashback of the Aztec ceremony scene, as Joel covers the irritating singing lady’s mouth: Joel clearly has something in his hand–between his two fingers, as one would hold a cigarette. Was Joel smoking in the theater? Gasp!
• In addition to smoking, reportedly this was the only episode in which the riffers were drinking while shooting the theater scenes.
• There are also two spots where the Brains experimented by playing with the sound. In one spot, as the men stand in a row with their backs to the camera in a way that suggested that they were relieving themselves, they added the sound of liquid streaming. And in the aforementioned musical ceremony, when Joel covers the lady’s mouth the sound cuts back as if he is muffling her. They seldom did it again.
• At one point, Joel comments that the cemetery was ANOTHER place that would make a great miniature golf course. “Like that other movie,” he says. WHAT other movie? What’s he talking about?
• The demon dog in the theater at the end is the first of many unexpected guests who would invade the theater over the years.
• Cast and Crew Roundup for the short: special effects guy Howard Lydecker also worked on “Undersea Kingdom.” Makeup guy Bob Mark also worked on “The Human Duplicators.” Set designer John McCarthy Jr. also worked on “San Francisco International” and “Kitten With A Whip. Sound guy Dick Tyler Sr. also worked on “Beginning of the End.” Score composer Stanley Wilson was music director for “The Beatniks.” In front of the camera: Tom Steele was also in “Undersea Kingdom.” Dale Van Sickel was also in “Manhunt in Space.” Paul McGuire was also in “Gunslinger.” Carey Loftin was also in “The Rebel Set.” Kenneth Terrell was also in “The Indestructible Man.” Roy Barcroft was also in “The Phantom Creeps.”
• Cast and Crew Roundup for the movie: Producer (he also got a story credit)Guillermo Calderon a.k.a. William C. Stell also worked on “Santa Claus.” Producer Luis Garcia DeLeon also worked on “Samson Vs. the Vampire Women,” as did director Manuel San Fernando. Score composer Antonio Diaz Conde also worked on “Santa Claus.” And of course, K. Gordon Murray also imported “Santa Claus” and “Samson Vs. The Vampire Women.” In front of the camera, Arturo Martinez was also in “The Black Scorpion.”
• CreditsWatch: Special Guest Puppet: Enoch (Jim Mallon)
• Favorite riff from short: “Oh, I hate to shoot a butt like that.” Honorable mention: “Eat lead, space pansy!”
• Favorite riff from the movie: “We’re hitting people!” Honorable mention: “Maybe she should choke up on it a little.”